If the basic sound of jazz is based on tetrad chords (four-note chords), it is common to extend them with other tones. These other notes forms the upper structure of a chord which includes 9th, 11th and 13th. Adding extensions to chords help to get off the beaten tracks and provides some new harmonic colors to your playing (chord soloing, comping, and arrangement). This lesson provides you useful extended major 7th chord shapes to apply to your playing.
Basically, major 7th chords are made up of a root (1), third (3), fifth (5) and seventh (7). They can be extended with a ninth (9), a sharp eleventh (#11) and a thirteenth (13).
The notes in yellow in the chart below can be added to the basic structure of a major 7th chord to extend it. Therefore a C major 7th chord can become Cmaj9, C maj7#11, Cmaj13.
|C Major seventh chord||C||E||G||B||D||F#||A|
Major 6 and minor 6 chords are often used in place of major 7 and minor 7 chords when comping over jazz standards. That's why it is very important to be able to play them on the guitar neck. There are two main types of chords that contains a sixth, M6 and m6. These chords are made up of 4 notes and built with the interval patterns :
- R-3-5-6 for the major 6 chords.
- R-b3-5-6 for the minor 6 chords.
In this post you will see how to play these major 6 and minor 6 chords (root and inverted positions) using 24 guitar diagrams and voicing charts.
"There Will Never Be Another You" is a popular song by Harry Warren (music) and Mack Gordon (lyrics). It is one of the most known jazz standards and an indispensable study for any jazz guitarist. This jazz guitar comping lesson provides you different chord positions (drop 2, inverted, rootless and extended chords) on the top four strings of the guitar to comp over this jazz tune. By the way, it will also give you some new ideas to support harmonically a soloist. Indeed, you may even try to apply these chord voicings to the tunes you are used to play.
Mastering Triads on the guitar is necessary for any guitarist who wants to expand is fretboard and theory knowledge. These chords are not really considered as jazz chords because of their basic sound, but they can be efficient tools for comping and chord soloing. Indeed, the strong point of these chords is the simplicity of learning and playing. You will find in this lesson 48 positions to play major, minor , diminished and augmented triad chords on the guitar.
A new page has been published on the website. It's about major triad chords. Triads are a combination of three-note chords built by stacking thirds. They are generally the first chords to learn for a beginner guitarist. Playing triads on all over the guitar fretboard will expand your musical and comping knowledge. This is a very important part to master before tackling seventh chords and other more advanced.
This lesson contains 12 major triad chords with diagrams and charts included 4 root voicings and their related inversions.
Here are the 15 most important jazz guitar chord positions that every beginning jazz guitar student must know. They are grouped into five families :
- Major seventh chords (Maj7)
- Minor seventh (m7)
- Dominant 7th (7)
- Half diminished / minor seventh flat fifth (m7b5)
- Diminished 7th (dim7)
How are built chords ?
Chords can be built with root (1), minor (b3) or major third (3), fifth, which can be perfect (5), diminished (b5) or augmented (#5) and seventh, which can be major (7), minor (b7) or diminished (bb7).
Generally speaking, chords are constructed by stacking thirds (minor and major). Here is a summary chart about the construction of the main types of chords.
|Minor seventh (m7)||1||b3||5||b7|
|Major seventh (M7)||1||3||5||7|
|Dominant seventh (7)||1||3||5||b7|
|Half diminished (m7b5)||1||b3||b5||b7|
|Diminished seventh (dim7)||1||b3||b5||bb7|
You will find below ten guitar fretboard diagrams and charts related to these chords. Three positions for each type of chord. One with the root on the sixth string, one with the root on the fifth and one with the root on the fourth string. Of course, there are many other important jazz chords, but the idea is to show only 15 basic chords no to destabilise the jazz beginner with too much chords. Please note that in this lesson augmented chords have been voluntarily omitted. However, for much information, you can visit the full lesson about the inverted jazz chords related to these basic positions.
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