drop 2 voicings
Everyone knows the importance of drop 2 chords in jazz music. They are very useful for comping, chord soloing, harmonizing and building chord melodies. Drop 2 voicings are very important for jazz guitarists because they are easy to play and do no require the root on the low sixth or fifth strings, indeed they are played on 4 adjacent strings. The first chapter of this lesson provides all the drop 2 voicing shapes, major seventh (M7), minor seventh (m7), dominant seventh (7), half-diminished (m7b5) and diminished seventh (dim7) to play on the guitar neck. The second part of this post will explain how to connect drop 2 voicings following the notes of the major scale.
What are drop 2 chords
Drop 2 voicings are very commonly used in jazz. They've been used by great jazz guitar players of all time, as Wes Montgomery, George Benson, Joe Pass, Kurt Rosenwinkel, John Scofield and many more. Voicing is the practice of regarding the individual notes of a chord as voices. There are several voicing techniques that can be used to rearrange the notes of a chord (drop 3 or drop 2-4 voicings). This blog page is dedicated to the understanding of the drop 2 voicing technique only. Knowing how to play and connect drop 2 chords across the guitar neck is very important. In this lesson you will find minor seventh, major seventh, dominant seventh, diminished 7th and half-diminished voicings with diagrams to play them on the guitar.