II-V-I

  • The 14 most important jazz chord progressions

    Minor ii valt i chord progression 1 114 essential jazz chord progressions

    A chord progression is a succession of musical chords (with at least two notes) played one after another. Chord progression can be named harmonic progression and represent the foundation of western and traditional music. Because many jazz standards use similar chord progressions, in different keys it is very important to recognize them by ear and visually. By working and practicing basic chord sequences you will feel more comfortable when you will need to learn jazz standards,  it will more evident and easy to comp and solo.

    In this lesson you will learn to recognize the 14 most important jazz chord progressions as minor and major II-V-I, the turnarounds and their variations, how to use passing diminished chords. You will find charts with roman numerals to easily transpose these harmonic progressions in different keys and some examples of comping with audio files, tabs and standard notation.

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  • How to play a major 7th arpeggio over a V7 chord

    Major arpeggio over g7When a jazz beginner starts to improvise over a II-V-I progression, he generally plays arpeggios corresponding to the chords of the sequence. In other words, he learns to play minor arpeggios over the minor chord (II), dominant 7th arpeggio over the 7th chord (V) and major arpeggio over the major 7 chord (I). This way the harmony is highlighted without taking risks. Then comes the modes, the basic rules concerning modes is that to play dorian over the minor chord , mixolydian over the dominant and ionian over the major chord. In short, in the long-run there is nothing exciting. That's why there is a nice trick used by number of jazz players to add smoothness to a line over a dominant 7th chord. This is a little tip that makes all the difference, simply play the notes of a major 7th arpeggio over the V7 rooted on its b7 degree.

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  • Jazz guitar chord voicings - II-V-I progression - 5 Exercises

    II V I jazz guitar chordsYou will find on this page 5 exercises to learn to play different jazz guitar chord voicings over the most used chord progression in jazz, the famous II-V-I sequence.

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  • New eBook available | 50 exercises for jazz guitar | II-V-I voicings

    II-V-I voicings for jazz guitarA new eBook is available for download. It contains 50 exercises with guitar tabs and standard music notation that will show you how to use different types of voicings over a II-V-I progression. This PDF eBook will help you to understand how the main jazz guitar chords are built (minor 7, major 7, dominant 7, diminished 7, half-diminished, augmented, 7b5, drop 2, drop 3, inverted, altered, extended and rootless chords) and how to apply chord substitutions (diatonic sub, tritone sub and diminished substitutions).

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  • Tritone chord substitution - Jazz guitar lesson

    Tritone chord substitutionOne of the most popular jazz chord substitution is the tritone substitution sometimes referred to as the dominant chord substitution. The most used is to replace the V with a dominant 7th chord whose root is a tritone below. Example with G7 (V), which can be replaced by Db7 a tritone (Three whole-steps) away. Thus giving two chords that have two notes in common. The 7th of G7 (F) is the third of Db7 and the third of G7 (B) is the seventh of Db7. The inversion of the 3rds and the 7ths between the original dominant chord (V) and the substituted dominant chord (bII7) is the main feature of the tritone substitution. 

    Tritone substitution

    If the most common tritone substitution involves two dominant chords, there are other chords that can be substituted as the vi chord, the ii chord, and the iii chord. You can substitute any chord which has its roots the flat fifth of the original chord. The type of chord used depends on the melody and the desired harmony. The tritone substitution can also change qualities from the chord it is substituting. Provided that the melody indicates no strong preferences for chord type. For example, dom7 chords can be played in place of minors. This could be subject of another lesson. Meanwhile this article is focused on dominant seventh tritone substitutions.

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  • What's a II-V-I chord progression

    What's a II-V-I chord progressionThe II-V-I sequence is the most common chord progression used in jazz music but also in a whole number of styles of music as pop, rock, blues, country. This theoretical element is a must know for any guitarist who wants to learn the jazz language because. It is present in a large number of jazz standards (Summertime, Autumn leaves, Blue bossa, All the things you are and many more). The mastery of this harmonic cadence will open up many perspectives in your guitar practice, whether in composition, in improvisation or more in the practical and theoretical learning of your instrument. Notice that this post is focused on major II-V-I cadence

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  • What are guide tones and how to use them

    What are guide tonesWhat are guide tones ? They are the notes in a chord which lead or give harmonic pull toward the next chord, these are an excellent way to study and absorb the sound of any chord progression. Guide tones are used to outline chord progressions in an improvisation. They are most of the time the 3rd and the 7th because this is what determines whether a chord is major, minor, or dominant. 

    By working on guide tones you’ll learn how to target important notes in each chord. This jazz guitar lesson explains how to solo over common jazz progressions using and connecting the guide tones.

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  • New eBook available | 10 II-V-I jazz guitar licks with tabs.

    The II-V-I sequence is surely the most common chord progression played in jazz music and a must know for any guitarist who wants to learn jazz language. It is prese10 II-V-I jazz guitar licks eBook pdfnt in a large number of jazz standards like Blue bossa, Autumn leaves, All the things you are, Summertime and the list goes on. That's why its very important to master this sequence with both chords and melody.

    This eBook helps you to understand which scales to play over a II-V-I chord progression. It contains 10 short and easy jazz guitar licks with tabs, analysis, scales charts and 3 different jazz backing tracks to play with. 

     


     

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