jazz guitar licks
What are guide tones ? They are the notes in a chord which lead or give harmonic pull toward the next chord, these are an excellent way to study and absorb the sound of any chord progression. Guide tones are used to outline chord progressions in an improvisation. They are most of the time the 3rd and the 7th because this is what determines whether a chord is major, minor, or dominant.
By working on guide tones you’ll learn how to target important notes in each chord. This jazz guitar lesson explains how to solo over common jazz progressions using and connecting the guide tones.
A new video has just been uploaded on the youtube channel. This lesson contains the 21 most recent jazz guitar licks & transcriptions posted on the channel.
Here is the summary :
- 10 Kenny Burrell licks
- II-V7alt-I lick
- Clifford Brown solo transcription
- Eric Gale solo transcription
- Grant Green airegin solo transcription
- Duet in F - Berklee
- John Scofield Wee #1
- John Scofield Wee #2
- John Scofield Wee #3
- Dominant 7th lick
- Soul jazz lick
- Jazz blues lick
A new PDF eBook is now available for download via the GUMROAD / PAYPAL interface. This jazz method contains 40 jazz, blues licks with tabs, scales charts and two jazz swing backing track in C7.
This PDF booklet is dedicated to the jazz guitar students who wants to improve their jazz, blues playing in the style of Wes Montgomery, Kenny Burrell, Grant Green, Charlie Christian, George Benson, Barney Kessel and more.
Package details :
- 1 printable PDF booklet containing 40 jazz blues guitar licks in C7 with tabs and scales charts.
- 2 blues jazz swing (one chord C7) backing tracks (120 & 150 BPM). That can also be used for dominant scales training. (Quality mp3 audio file).
Wes Montgomery was an american guitar jazz player, considered as one of the greatest jazz guitarist of all time. He has influenced and influence again a lot of jazz guitarists. His playing is characterized by the use of his thumb instead of a pick with incredible dexterity. His guitar solos are gold mines for jazz guitar students.
He often approached his guitar solos by following the same chords progression in three ways and in the same order:
- In single note lines using arpeggios, scales and modes.
- By playing octaves.
- By playing block chords.
Wes Montgomery played almost exclusively on a Gibson L-5 CES plugged most of the time into Fender amps (super reverb, twin reverb, deluxe). He also played on Gibson L-7, Gibson L-4, Es-175, ES-125D.
You will find in this free jazz guitar lesson 10 easy dominant 7th jazz guitar licks with tabs transcribed from "West coast blues". They are all in the key of Bb and time signature is 3/4.
A new printable PDF eBook dedicated to soul jazz guitar licks is now available for download.
Soul jazz (sometimes called "jazz-funk) is a form of jazz commonly associated with hard bop. It has strong influences from blues, rhythm & blues and gospel. You can also go listen to Lou Donaldson, Big John Patton, Jimmy "Hammond" Smith, to soak up this style.
All these licks are two bars licks in the key of Bb7 and inspired by great guitarists as Grant Green, Melvin sparks, Wes Montgomery or Kenny Burrell. They are essentially built with notes from the minor, major pentatonic and minor blues scale.
As usual each lick is analysed and accompanied by a quality audio file. A backing track is also included in the package.
Why all these licks are in the same key ?
To simplify learning, it's easier to memorize them, then you can make the connection between each lick to built longer guitar solos. Once you have learnt these licks, the aim is to play them in different keys, add notes and fret hand techniques (bends, hammer-on, pull-off, slides) vary the rhythm...
Package details :
- 1 printable PDF eBook with 25 soul jazz guitar licks in Bb7 with tabs, scales charts, guitar fretboard diagrams (5 boxes for each scales) and analysis.
- 1 soul jazz backing track (Quality mp3 audio file).
- 25 soul jazz guitar licks audio files (Quality mp3 audio files).
Here is the fouth part of the bebop scales section. This is about the locrian bebop scale. This scale has the same notes as the locrian mode including a passing tone (5) between the flat five (b5) and the minor sixth (b6). It is commonly played over half diminished (m7b5) chords (in a minor 2-5-1 sequence for example)
You will find guitar fretboard diagrams and a minor II-V-I lick using the locrian bebop scale in the locrian bebop scale page.
Related lessons /
The II-V-I sequence is surely the most common chord progression played in jazz music and a must know for any guitarist who wants to learn jazz language. It is present in a large number of jazz standards like Blue bossa, Autumn leaves, All the things you are, Summertime and the list goes on. That's why its very important to master this sequence with both chords and melody.
This eBook helps you to understand which scales to play over a II-V-I chord progression. It contains 10 short and easy jazz guitar licks with tabs, analysis, scales charts and 3 different jazz backing tracks to play with.