guitar scales

  • 8 ways to play the minor pentatonic scale over a dominant chord - Inside and outside playing

    minor pentatonic scales over dominant chordsThe minor pentatonic scale is by far the most used scale in the world all styles taken together (jazz, blues, rock, reggae, pop, country). One of the explanation is given by the structure, indeed there are no semi-tones in it. It is easy to play on the guitar and it can be used in a whole lot of very different contexts. This lesson will show you 8 ways to use the minor pentatonic scale over a dominant 7 chord. The principle is easy to understand, this consists to play the minor pentatonic scale starting on each tone of the mixolydian scale (1, 2, 3, 4, 5, 6, b7). This method helps to highlight certain notes and brings interesting colors to your jazz guitar lines depending on you want to play outside or inside.

    Continue reading

  • Mastering the basic jazz scales on the guitar

    Mastering basic jazz guitar scalesWhen you want to master the jazz language, one of the first thing to do is to learn scales and modes. Memorize the fingerings on the fretboard. Memorize their names, their compositions. Make the difference between a major, a minor, an augmented or a diminished scale. How many tones in this one, how many half-tones in this other one. Knowing which scales work with which chords. In the long run the practice of scales can be confusing and seems a never ending. Here are some tricks and tips to work out on scales while developing your musical ear, your guitar technique and your theoretical knowledges.

    Continue reading

  • 12 scales to play over dominant 7th chords - Jazz guitar lesson

    Jazz guitar licks & transcriptionsThe first thing to know before starting exploring the twelve different scales shown in this lesson is how to build a basic dominant 7th chord and what its role is.

    Dominant 7th chords are made up of a root / tonic (1), a major third (3), a perfect fifth (5) and minor seventh (b7). It is the most versatile of any chord. It is considered as a major chord because of its major third (3), indeed the 3rd tell us if the chord is minor or major. The minor seventh (b7) indicates whether the sound wants to move or not (resolve) to another chord. Usually dominant chords tend to resolve to a chord down a prefect fifth (or a chord up a perfect fourth).

    C dominant 7th chord  C E G Bb
    Intervals 1 3 5 b7
    Related Arpeggio 1 3 5 b7

     

    Continue reading

  • 10 easy Wes Montgomery jazz guitar licks / transcriptions | Dominant 7th

     

    Wes Montgomery jazz guitar licks lessonsWes Montgomery was an american guitar jazz player, considered as one of the greatest jazz guitarist of all time. He has influenced and influence again a lot of jazz guitarists. His playing is characterized by the use of his thumb instead of a pick with incredible dexterity. His guitar solos are gold mines for jazz guitar students.

    He often approached his guitar solos by following the same chords progression in three ways and in the same order:

    1. In single note lines using arpeggios, scales and modes.
    2. By playing octaves.
    3. By playing block chords.

    Wes Montgomery played almost exclusively on a Gibson L-5 CES plugged most of the time into Fender amps (super reverb, twin reverb, deluxe). He also played on Gibson L-7, Gibson L-4, Es-175, ES-125D.

    You will find in this free jazz guitar lesson 10 easy dominant 7th jazz guitar licks with tabs transcribed from "West coast blues". They are all in the key of Bb and time signature is 3/4.


     

    Continue reading

  • NEW eBook PDF | 25 soul jazz guitar licks with tabs, analysis, scales charts and diagrams.

    25 jazz soul licks PDF eBook with tabs

    A new printable PDF eBook dedicated to soul jazz guitar licks is now available for download. 

    Soul jazz (sometimes called "jazz-funk) is a form of jazz commonly associated with hard bop. It has strong influences from blues, rhythm & blues and gospel. You can also go listen to Lou DonaldsonBig John PattonJimmy "Hammond" Smith, to soak up this style.
    All these licks are two bars licks in the key of Bb7 and inspired by great guitarists as Grant GreenMelvin sparks, Wes Montgomery or Kenny Burrell. They are essentially built with notes from the minor, major pentatonic and minor blues scale.

    As usual each lick is analysed and accompanied by a quality audio file. A backing track is also included in the package.

    Why all these licks are in the same key ?

    To simplify learning, it's easier to memorize them, then you can make the connection between each lick to built longer guitar solos.  Once you have learnt these licks, the aim is to play them in different keys, add notes and fret hand techniques (bends, hammer-on, pull-off, slides)  vary the rhythm...

    Download

    Package details :

    - 1 printable PDF eBook with 25 soul jazz guitar licks in Bb7 with tabs, scales charts, guitar fretboard diagrams (5 boxes for each scales) and analysis. 

    - 1 soul jazz backing track (Quality mp3 audio file).

    25 soul jazz guitar licks audio files (Quality mp3 audio files).

    MORE INFORMATIONS ABOUT THIS "25 SOUL JAZZ GUITAR LICKS eBOOK" HERE

    Continue reading

Welcome,

Subscribe the newsletter 

To keep you informed of the latest lessons and articles. (no spam)

Icone