Jazz guitar lessons

Jazz guitar lessons

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  • How to play Pentatonic Scales Over Giant Steps

    Pentatonics on giant stepsGiant Steps is one of those tunes in jazz that sends a bolt of fear through a lot of young or even experienced jazz musicians. It certainly does that to me anyway! The fast harmonic rhythm and the seemingly distant relationships between the chords means it is a very daunting challenge.
    However, there is a very cool and simple way of practicing navigating through these changes and it involves using 3 different pentatonic scales.

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  • Jazz Guitar Scale Exercises – Position Shifts with the Melodic Minor Scale

    Minor scale guitar exercicesLearning and playing scales can be an important part of any guitarist’s practise regime. By playing scales in a variety of ways we can develop our familiarity with the fretboard beyond simply going up and down scales. In this tutorial we will look at combining two different scale patterns by shifting between them on various strings. For this we are going to use two patterns of an Eb Melodic minor scale, patterns 2 and 3. The Melodic minor scale consists of the intervals R 2 b3 4 5 6 7 (R is for the Root note).

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  • Why Jazz Guitarists Should Study The CAGED Method

    Why Jazz Guitarists Should Study The CAGED Method

    The CAGED method - Guitar lessonWhen I first joined my high school jazz band, it was a humbling experience. I knew my major scales and modes, but only with the roots on the E and/or A string. This worked fine for playing pop music, but the way jazz progressions were always changing chords with each measure, my hands were constantly getting lost. If I was playing a C major line in eighth position, how did I switch to a Bb mixolydian scale without jumping my hand up or down and making the improvisational idea totally disjointed ? I could never understand how jazz guitarists could keep their ideas going as the chords changed from moment to moment. And how did players like Joe Pass know how to run an improvised line right into a chord voicing? Additionally, as I progressed to the higher registers of the guitar, I could never tell where I was in the scale anymore. It seemed impossible!

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  • Album Review and lick analysis – Monk – Peter Bernstein

    Monk - Peter BernsteinThe music of Thelonious Monk is music which evokes many different emotions and ideas in a huge demographic of musicians and instrumentalists. With that in mind, the emotions and ideas evoked by legendary jazz guitarist, Peter Bernstein, in this showcase album range from childish playfulness, faithful to the source of the music, to coherent and thorough modern jazz playing in the upper echelons of technical and interactive ability.
    It’s been noted previously in reviews, at the time of the album’s release, that a collection of Monk tunes by a guitarist is a rare occurrence that was a huge breath of fresh air to all those who knew about its existence. I’ve never heard such faithful music made with such individualism and taste without any sense imitation. This is most definitely Bernstein plays Monk and not the other way around.

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  • 10 Jazz Blues Tunes Every Beginning Guitarist Should Know

    Building your jazz blues repertoire

    Top 10 jazz blues tunes to knowA big part of learning jazz guitar means building his own repertoire of pieces. Here is a list of 10 jazz blues songs every beginning guitarist should know. This short list covers a range of jazz blues chord progressions and their different variations (form, tonality, Harmonic structure) with a brief analysis. It also represents the most played jazz blues tunes at jam sessions.

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  • The blues arpeggio - How to mix major and minor triads - Guitar lesson

    The blues arpeggio guitar lessonWhat's the blues arpeggio ?

    Traditionally, when a student learns to improvise over a jazz, blues tune, he taught pentatonic scales, major triads or dominant 7th arpeggios, but there is something missing to get this specific and exciting jazz, blues sound. The blues arpeggio is a very interesting and important device to use over this musical genre. It is a mix of a major triad and a minor triad, it contains both major and minor thirds, representing one of the most vital elements of the blues. In this jazz guitar lesson we will see how to build the blues arpeggio, how to practice it and how to play it on a blues.

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  • The 14 most important jazz chord progressions

    Minor ii valt i chord progression 1 114 essential jazz chord progressions

    A chord progression is a succession of musical chords (with at least two notes) played one after another. Chord progression can be named harmonic progression and represent the foundation of western and traditional music. Because many jazz standards use similar chord progressions, in different keys it is very important to recognize them by ear and visually. By working and practicing basic chord sequences you will feel more comfortable when you will need to learn jazz standards,  it will more evident and easy to comp and solo.

    In this lesson you will learn to recognize the 14 most important jazz chord progressions as minor and major II-V-I, the turnarounds and their variations, how to use passing diminished chords. You will find charts with roman numerals to easily transpose these harmonic progressions in different keys and some examples of comping with audio files, tabs and standard notation.

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  • How to play a major 7th arpeggio over a V7 chord

    Major arpeggio over g7When a jazz beginner starts to improvise over a II-V-I progression, he generally plays arpeggios corresponding to the chords of the sequence. In other words, he learns to play minor arpeggios over the minor chord (II), dominant 7th arpeggio over the 7th chord (V) and major arpeggio over the major 7 chord (I). This way the harmony is highlighted without taking risks. Then comes the modes, the basic rules concerning modes is that to play dorian over the minor chord , mixolydian over the dominant and ionian over the major chord. In short, in the long-run there is nothing exciting. That's why there is a nice trick used by number of jazz players to add smoothness to a line over a dominant 7th chord. This is a little tip that makes all the difference, simply play the notes of a major 7th arpeggio over the V7 rooted on its b7 degree.

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