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Wes Montgomery

 3/6/1923 - 6/15/1968Wes Montgomery jazz guitar licks lessons

Wes Montgomery was an American guitar jazz player, considered as one of the greatest jazz guitarists of all time.

He has influenced and continues to influence many guitarists. His playing is characterized by the use of his thumb instead of a pick with incredible dexterity. He took the use of octaves and chords voicings to a greater level than any other guitarist. His guitar solos are gold mines for jazz guitar students, he used a lot arpeggios and superimposed triads. He often approached solos by following the same chords progression in three ways and in the same order:

1- In single note lines using scales and modes.

2- By playing octaves, he was the master of octave playing and widely know about this.

3- By playing block chords.

Wes Montgomery played almost exclusively on a Gibson L-5 CES plugged most of the time into Fender amps ( super reverb, twin reverb, deluxe). He also played on Gibson L-7, Gibson L-4, Es-175, ES-125D.

He died of a heart attack in 1968 and leaves behind an impressive discography, a bible , an encyclopedia for all jazz guitar players.

Wes montgomery licks
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10 dominant Wes Montgomery jazz guitar licks | Lesson with tabs & analysis

This jazz guitar lesson is about 10 solo transcriptions of Wes Montgomery in west coast blues.

Wes Montgomery jazz guitar licks lessons
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Wes Montgomery solo transcription | Full house part 1

Here is a Wes Montgomery jazz guitar solo transcription with guitar tabs and analysis from the jazz tune "Full house".Aeolian, phrygian and altered scales.

Wes Montgomery jazz guitar licks lessons
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Wes Montgomery solo transcription | Full house part 2

This a Wes Montgomery jazz guitar solo transcription with tabs of full house. In this jazz lesson, diminished and minor arpeggio, phrygian and major scales.

Wes montgomery dominant licks 2 bis page 1
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Wes Montgomery jazz guitar lick | Dominant 7th | Mixolydian mode

In this jazz guitar lesson with tabs we see how to play a jazz guitar lick using the phrygian mode over a dominant 7th chord in the style of Wes Montgomery.

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