In this guitar lesson, we will explore the differences between five different Phrygian modes taken from the major, harmonic minor, melodic minor, harmonic major and double harmonic major scales.
Satin Doll by Duke Ellington and Billy Strayhorn, witten in 1953, is one of the most famous jazz tune. It has been recorded by many jazz musicians as Wes Montgomery, Ella Fitzgerald, Mc Coy Tyner, Oscar Peterson and of course Duke Ellington himself. It has become a classic jazz standard, a must-hear, very popular at jam sessions.
This guitar lesson with chord shapes and scale charts explains how to play easy jazz chords and what basic scales to choose for improvising over Satin Doll.
Lesson by Fabrizio Brusca
Oh, Lady Be Good by Lester Young is Second video from the chapter "Jazz Language And Improvisation Techniques Serie".
In this chapter, Fabrizio made a selection of some famous solos that show how jazz phrasing has been developped from 1925 until these days. Each video of the serie (organized in a chronological order) features a history of jazz masters that have contributed to the evolution of jazz.
These lines have been transposed on guitar trying to respect all the original instrument nuances and embellishments.
This guitar lesson sheds light on the different types of minor modes and scales that can be used in jazz music. They are built with different combinations of intervals starting on different steps of several scales as the major scale, the melodic minor, the harmonic minor, the harmonic major, the pentatonic scale and the bebop scale.
What Scale To Choose For Improvising?
One of the most common question a beginner asks when he wants to start improvising on guitar is : Which scale to choose over which chords? However, there is a lot of scale and a lot of chord, it is easy to get lost. That's why it is important to make the relation between them, trying to understand what is the appropriate scale that fit the chord and vice versa.
This guitar lesson provides the seventeen most important scales with shapes and formulas to know for improvising over the most used chord types in jazz music (major, minor, dominant and diminished).
Pentatonic scales are scales with five notes per octave. They are frequently used in music all over the world. The word "pentatonic" comes from the Greek word "pente" meaning five and "tonic" meaning tone.
Talk of "the" pentatonic scale generally make reference to the major pentatonic scale and its relative minor. It's a mistake, indeed there are many types of pentatonic scales (Egyptian, Ritusen, Man gong, Altered, Locrian...).
Pentatonic scales are considered earlier than heptatonic scales (seven-note scales) and can be divided into two categories :
- Containing semitones (hemitonic)
- Without semitones (anhemitonic)
The purpose of this post is to propose some tips and ideas for practicing and develop pentatonic scales.
Arpeggios are essential musical tools that allow you to build pure and beautiful lines while highlighting the harmony. When playing over chord changes, using arpeggios is the most efficient way to connect these chords together.
This lesson provides four exercises with tabs, standard notation and diagrams that will help improve your guitar skills and your theoretical knowledge.
This guitar lesson is about a very important concept used by many jazz improvisers named "Target notes" or "target tones" or "approach notes". It has to do with targeting chord tones by scale or chromatically.
This technique opens the door to another essential type of targeting called "Enclosures" used to surround a chord tone both diatonically and chromatically from above and below.
Understanding and applying "Targeting" will help you solos sound more jazzy and allow you to expand your harmonic knowledge.