Welcome to Jazz Guitar Licks
Hello my name is Stef Ramin, I'm a professional guitar teacher for more than 20 years. Passionate about jazz and blues music I decided to create Jazz Guitar Licks.com to publish my own lessons and PDF methods.
Everything you ever wanted to know about jazz guitar chords is here. How they are built, how to play them on guitar.
These lessons with tab, charts, diagrams and practice tips give useful information on triads (major, minor, diminished, augmented, etc.), tetrads (seventh and sixth chords) , extended chords (9th, 11th, 13th) , altered chords, drop voicings, etc.
and many more
Jazz guitar scales are very important devices when learning jazz guitar.
You will find in these lessons the most important scales and modes that any jazz guitar player need to know such as diatonic scales, melodic minor, harmonic minor, harmonic major, melodic minor, symmetic, pentatonic scales, bebop scales, blues scales.
Each article contains charts, exercices, theoretical explanations and guitar shapes.
Here is the list of the printable PDF methods with audio files available for download.
Each eBook contains exercises with tab : standard notation, charts, guitar diagrams, theoretical explanations and numeral analysis.
They also have the advantage of being quite easy to learn and to play on guitar, that's the reason why beginners generally start to learn jazz improvisation using arpeggios.
There is a plethora of arpeggios used in jazz such as triads (minor, major, diminished, augmented, sus2, sus4), tetrads aka four-note arpeggios (maj7, min7, dom7, dim7, m7b5, 7sus4, 7sus2, min6, maj6, etc).
There are also five-note arpeggios (min9, maj9, dom9), six-note arpeggios (min11, dom11, maj11) seven-notes arpeggios (maj13, min13, dom13) and other types as altered arpeggios (maj7#11, 7b13, 7#5).
Arpeggios are directly related to chords because these are chords whose notes are played one by one. Here is a non-exhaustive list of what you can find about arpeggios on this website:
and many more
Learning basic jazz patterns, essential licks or riffs and lines taken from improvised solos of the greatest jazz players can be very helpful to expand your jazz vocabulary.
This section offers some exercices with tab, standard notation, audio files and theory based on classic jazz lines transcibed from famous jazz musicians such as Wes Montgomery, Emily Remler, Kenny Burrell, George Benson, Miles Davis, Joe Pass, Pat Martino, John Scofield, Barney Kessel, Grant Green, Charlie Christian.
Some of these jazz lines are accompanied with YouTube videos.
Recent Blog Posts
A new lesson (with YouTube video, analysis and tabs) intended for all jazz, blues, groove enthusiasts and John Scofield fans is now available for free on the website. It contains 10 John Scofield jazz guitar licks transcribed from one of his solo in the tune "Little Walter Rides Again" live at live at Estival Jazz Lugano 2007 with MMW trio (John Medeski, Billy Martin and Chris Wood). They show how Sco used to mix pentatonic scales, blue notes and altered tones.
You will find here 11 Jazz Blues backing tracks from the YouTube channel Backing Tracks Channel. These jam tracks can be very useful for practicing improvisation and chord comping whether on the guitar or on any other instrument.
Each play along is derived from the basic jazz blues chord progression (the first one of the list). For a better understanding the chords and the Roman numeral analysis are displayed in the video. If you want to learn more about these jazz blues changes check out the related lesson in the blog section.
This infographic printable for free provides diatonic arpeggio and scale shapes for guitar practice. It shows the relationship between arpeggios and modes of the major scale.
Arpeggios are the backbone of jazz improvisations, they are easy to learn and play. They are very popular in all styles of music (rock, metal, blues, pop) because they allow to easily outline the harmony and create fluid lines.
It is very important to understand what are arpeggios and how to use them into your jazz guitar solos. This guitar lesson provides the most important arpeggio shapes that any beginner jazz guitarist must know.
In the first part, they are classified into seven qualities : major 7, minor 7, dominant 7, half-diminished, diminished 7, Major 7#5 and minMaj7 using the CAGED system, one of the best methods for learning scales and chords on the whole of guitar neck.
The second part of the lesson shows the arpeggios within the main families of scales namely, major (diatonic), harmonic minor, melodic minor and harmonic major.
Most Popular Blog Articles
14 Essential Jazz Chord Progressions
A chord progression is a succession of musical chords (with at least two notes) played one after another. Chord progression can be named harmonic progression and represent the foundation of western and traditional music. Many jazz standards use similar chord progressions, in different keys it is very important to recognize them by ear and visually. Working and practicing basic chord sequences will make you feel more comfortable when you will need to learn jazz standards, it will more evident and easy to comp and solo.
In this lesson you will learn to recognize the 14 most important jazz chord progressions as minor and major II-V-I, the turnarounds and their variations, how to use passing diminished chords. You will find charts with roman numerals to easily transpose these harmonic progressions in different keys and some examples of comping with audio files, tabs and standard notation.
- By Stef Ramin
- On 11/26/2016
How To Play Triads On Guitar?
Mastering Triads on the guitar is necessary for any guitarist who want to expand his fretboard and theory knowledge. These chords are not really considered as jazz chords because of their basic sound, but they can be efficient tools for comping and chord soloing. Indeed, the strong point of these chords is the simplicity of learning and playing. You will find in this guitar lesson 48 chord shapes to play major, minor , diminished and augmented triads.
Autumn leaves is a 1945 song composed by French musician Joseph Kosma. The original lyrics are in French, written by Kosma but in 1947 Johnny Mercer wrote the English ones. Since that time it has become a very popular song and surely one of the most played jazz standards. This song is in a AABC form (32 bars), very much appreciated by beginners because the harmonic progression is pretty simple to play and easy to understand. It covers a very important chord sequence found in jazz, the ii-V-I both in minor and major.
How to Play Autumn Leaves With Guitar Chords?
Autumn leaves is one of the most popular non-American jazz standards on pick-up gigs and records. It is a must-know tune for any jazz guitarist and a great choice when you want to play both chords and melody on guitar. Indeed, the chord progression is not difficult to learn and easy to play. This blog article provides an easy chord melody arrangement to play the famous jazz tune on guitar. This lesson runs in three steps :
- Listening to instrumental and vocal versions.
- Playing basic chords (drop 2 and drop 3 voicings).
- Learning to play the melody.
- Playing the chord-melody arrangement.
Last edited: 11/17/2019