Minor Seventh Arpeggios (min7) | Guitar Lesson With Licks And Charts

In this lesson, we’ll explore one of the most versatile tools in a guitarist’s arsenal.

Minor 7 arpeggios are not just building blocks for solos—they also open up new possibilities for creating smoother solo lines and adding depth to your improvisation.

Whether you’re into jazz, blues, or rock, mastering these shapes will enhance your ability to express yourself on the fretboard.

How Are Built Minor Seventh Arpeggios?

Arpeggios are chords whose notes are played one by one.

Minor 7 arpeggios aka min7 or m7 are built with four notes : Root (1), minor third (b3), Fifth (5) and minor seventh (b7).

Here is an example in the chart below with Dm7.

D minor 7th arpeggio	D	F	A	C
Formula	1	b3	5	b7

Guitar Shapes

The basic way of learning min7 arpeggios is to visualize them in one octave.

The four guitar charts show how they look.

The first chart has roots on the sixth and fourth string.

The second diagram has root notes on the fifth and third string, etc.

Since the root (the orange note) gives its name to the arpeggio, to play a Gm7 arpeggio using the first diagram (the one with the lowest root on the sixth string) you will need to place your index finger at the third string.

You have to play them in all twelve keys.

Minor 7 Arpeggio - Two Octave Shapes

The two following diagrams show how to play minor 7 arpeggios within the space of two octaves in order to cover the sixth strings on the guitar without shifting.

Once again it is very important to play these arpeggio shapes in twelve keys all over the guitar neck. It is also recommended to experiment you own fingerings.

How to Extend min7 Arpeggios?

It's possible to add extensions as 9th, 11th and 13th to your minor 7 diatonic arpeggios.

First, you have to keep in mind that the second (2) is the ninth (9), the fourth (4) is the eleventh (11) and the sixth (6) is the thirteenth (13).

Let's take an example referring to the D Dorian scale (D-E-F-G-A-B-C).

To add the ninth to your minor 7 arpeggio you have to play E, to add the eleventh just add G and to add the thirteenth you must play B, it is simple.

You can apply this technique to any minor seventh arpeggio.

The guitar tab below show the upper-structure of a Dmin7 arpeggio.

You can also notice that is made of four superimposed arppegios that are:

Dmin7 - D, F, A, C (1, b3, 5, b7).
Fmaj7 - F, A, C, E (1, 3, 5, 7).
Amin7 - A, C, E, G (1, b3, 5, b7).
CMaj7 - C, E, G, B (1, 3, 5, 7).

Basic Application of min7 Arpeggios.

The basic application of an arpeggio is to target the chord tones by playing the corresponding arpeggio.

For example, in a C major II-V-I sequence ( Dm7 | G7 | CM7) you can play D minor 7th arpeggio over the Dm7 chord, G dominant 7th arpeggio over G7 and a C major seventh arpeggio over the CM7.

As you will have understood, the basic application of a m7 arpeggios is to play them over minor 7 chords.

Minor 7 Arpeggio in a II V Progression

Here is an easy jazz guitar line using a descending D minor seventh arpeggio.

Chord progression is : Dm7 | G7, it's a II V progression used in many jazz standards.

This lick starts on the fifth of Dm7 (A) with a chromaticism (C, B, Bb, F).

The minor seventh arpeggio begins on the second note of the triplet (A) and goes on over the G dominant 7th chord.

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Last edited: 2024-12-28

Comments

1 Gill87 On 2024-12-28

Thanks for this very very much..so cool
Gonna buy a couple of your Pdf.

jazz-guitar-licks On 2024-12-28

Thanks for your support. Stef
2 Starr On 2021-10-08

G min 7 chord shape example actually same as D min 7 example on staff