Jazz Guitar Lessons

You will find in this section the latest jazz guitar lessons: videos, PDFs, Tabs, transcriptions, licks, music theory, exercises, chord and scale diagrams, published on the blog and on the website. The content is regularly updated with fresh articles, so don't hesitate to subscribe to the newsletter.

36 Ways of Playing a Dominant 7 Chord on Guitar - Beginner to Advanced
- By Stef Ramin
- On 07/30/2019
- 0 comments
Dominant 7 chords are one of the most important chords to know, they can be found in many styles of music as blues, funk, pop and of course in jazz music. In this lesson we will see how dominant 7 chords are built and how to play them on guitar using 36 different voicings and shapes.

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Harmonization of the Melodic Minor Scale - Chord Shapes and Theory
- By Stef Ramin
- On 07/26/2019
- 0 comments
In this lesson we will see how to harmonize the melodic minor scale in thirds with seventh chords. In other words we will see how to build seventh chords by stacking thirds from each degree of the melodic minor scale.

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What Scale to Play Over 7b9 Chord
- By Stef Ramin
- On 07/12/2019
- In Scales & Arpeggios
- 0 comments
Dominant 7 flat ninth chords (7b9) are generally related to the fifth mode of the harmonic minor scale known as Phrygian dominant scale, which makes it the most obvious choice for improvising over 7b9. However, we will see in this article that there are many other options.

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5 Easy Jazz Blues Arpeggio Studies For Guitar

This lesson contains five free guitar studies for beginners that outline the use of arpeggios over a Bb jazz blues progression. There are different kinds of jazz blues progressions. The one that is used in this eBook is built with a secondary dominant (VI7), a passing diminished (#IVdim7) and a turnaround (I7, VI7, iim7, V7).

Bb7	Eb7	Bb7	%
I7	IV7	I7	I7
Eb7	Edim7	Bb7	G7(b9)
IV7	#IVdim7	I7	VI7
Cm7	F7	Bb7 G7 (b9)	Cm7 F7
iim7	V7	I7 VI7	iim7 V7

Jazz Guitar Methods - eBooks & Printable PDF with Tabs, Standard Notation & Audio Files
- By Stef Ramin
- On 06/25/2019
- In Guitar Cheat Sheets, Methods & Books
- 0 comments
This page lists the eBooks available for download on the website. All theses methods are in PDF format, so they can be printed and viewed on all types of media systems (tablets, smartphones and computers).

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Joe Pass Blues - Transcription with Video and Analysis
- By Stef Ramin
- On 06/07/2019
- 0 comments
Joe's blues is a 12-bar blues taken from one of the many Joe Pass methods named "Joe Pass on Guitar". This lesson covers the first 24 bars of the original lesson. If you listen to the audio file provided with the book you can hear that there are a lot of mistakes in the transcription. That's why I have decided to transcribe those lines directly from what I heard.

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How to Practice Pentatonic Scales On Guitar
- By Stef Ramin
- On 06/01/2019
- 0 comments
What are Pentatonic Scales?

Pentatonic scales are scales with five notes per octave. They are frequently used in music all over the world. The word "pentatonic" comes from the Greek word "pente" meaning five and "tonic" meaning tone.

Talk of "the" pentatonic scale generally make reference to the major pentatonic scale and its relative minor. It's a mistake, indeed there are many types of pentatonic scales (Egyptian, Ritusen, Man gong, Altered, Locrian...).

Pentatonic scales are considered earlier than heptatonic scales (seven-note scales) and can be divided into two categories :
- Containing semitones (hemitonic)
- Without semitones (anhemitonic)
The purpose of this post is to propose some tips and ideas for practicing and develop pentatonic scales.
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12 Types of Major Scales - Guitar Lesson With Diagrams
- By Stef Ramin
- On 04/16/2019
- 2 comments
When we think about major scales, the first that comes to mind is the Ionian mode, best know as THE major scale. However, there are several other types of major scales (Ionian #5, Lydian augmented #2, Ionian b6) which deserve a little more attention. Here they are listed with guitar shapes and formulas.

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II V7 Bebop Patterns - David Baker - Analysis and Scale Diagrams
- By Stef Ramin
- On 03/21/2019
- In Jazz Guitar Lessons
- 0 comments
This blog article is related to the video tutorial published on JGL YouTube channel. It contains 10 II V7 jazz bebop guitar patterns with analysis and scale shapes. These lines come from the first chapter of David Baker's book "How To Play Bebop Vol.2 - Learning the bebop language". They correspond to the first ten exercises of the section named "The Use of The II V7 Progression in Bebop".

You 'll find in this lesson a quick analysis of each pattern with scale diagrams (Dorian, Dorian bebop, Mixolydian, dominant bebop, Mixolydian b13, altered, mixo-blues and half-whole diminished).

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What's a Dominant 7 Arpeggio - How to Play it on Guitar
- By Stef Ramin
- On 03/05/2019
- In Scales & Arpeggios
- 0 comments
What Are Dominant 7 Arpeggios?

Dominant 7 arpeggios are built with root (1), major third (3), perfect fifth (5) and minor seventh (b7). They are basically used to play over dominant 7 chords.

Dominant 7 Arpeggio 1 3 5 b7

G7 G B D F

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Solar - Miles Davis - Guitar Chord Melody Lesson and Analysis
- By Stef Ramin
- On 03/04/2019
- In Jazz Guitar Lessons
- 0 comments
"Solar" is a jazz standard written by Miles Davis in the key of C minor with four tonal centers that are : C minor, F major, Eb major and Db major. Solar contains essential chord progressions as major and minor II V I. This lesson provides a short harmonic analysis and a chord melody arrangement for guitar with tab, standard notation, chord shapes and audio file.

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How to Use a Tritone Substitution - 6 Guitar Licks
- By Stef Ramin
- On 02/08/2019
- In Licks & Transcriptions
- 0 comments
What's a Tritone Substitution?

The tritone substitution is one of the most common substitution found in jazz. The basic application of a tritone chord substitution is to take any 7th chord and play another 7th chord that has its root a tritone away from the original. This guitar lesson demonstrates how you can play scales and arpeggios starting from the b5 (a tritone away) of the V7 chord in a II V I chord progression. This way you will highlight altered tones as the b9 and the #11.

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Octave Playing - Guitar Lesson With Lines and Theory
- By Stef Ramin
- On 12/30/2018
- 0 comments
What's Octave Playing?

Octave playing is a big part of jazz guitar language, this technique has been popularized by guitarist Wes Montgomery one of the greatest improvisers and jazz genious of all times. Theoretically, the principle is quite easy to understand. You just have to play lines using two simultaneaous notes separated by twelve semitones. In practice, it is more difficult because of the fingerings. Indeed, you have to move two fingers at the same time while keeping the same hand position. This lesson provides guitar diagrams and easy guitar lines for a good mastery of this technique.

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10 Dominant Octave Licks For Guitarist - YouTube Video Lesson
- By Stef Ramin
- On 12/18/2018
- In Licks & Transcriptions
- 0 comments
Octave playing technique involves playing the same note on two strings separate by one octave. An octave is 12 semitones higher than the root note. You will find in this blog post a new video from the YouTube Channel, containing 10 dominant octave licks with tabs and standard notation overlayed.

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What's An Inverted Chord
- By Stef Ramin
- On 12/16/2018
- 0 comments
What's An Inverted Chord?

The notes of a chord whether it is a triad (containing just three notes) or a tetrad (built with four notes) can be reshuffled in different order. The name of the chord will still remain the same, but the bass will not necessarily the root note. This is the lowest note (the bass note) that determines the name of the inverted chord. So, chord inversion simply refers to which note is in the bass. You will find here some example for a better understanding of what are inverted chords.

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One Note Samba - A.C Jobim - Transcription For Guitar
- By Stef Ramin
- On 12/01/2018
- In Jazz Guitar Lessons
- 0 comments
One note samba is a song composed by Antonio Carlos Jobim. The title refers to the main melody of the song, which consists of a serie of identical notes (F and Bb in this arrangement for guitar) with a syncopated rhythm typical of bossa nova and a number of chords typical of this genre.

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