Stella by Starlight - Jazz guitar chord melody lesson

In this lesson we explore three five-note blues patterns in B♭7 built from the tones 1 – ♭3 – 3 – 5 – ♭7.

The aim being to repeat the same pattern replacing the ♭7 with the 6 the second time.

These patterns capture the classic blues sound while giving you clear, repeatable shapes across the neck.

PDF (pay what you want) transcription with Tab / Notation available on GUMROAD.

Arpeggios are a fundamental aspect of music theory and play a pivotal role in creating expressive melodies, harmonies, and improvisations across various musical genres. In this exploration of basic arpeggios, we will learn how to connect Maj7, 7, min7, m7b5, dim7, min6, and 6 arpeggios (by moving only one note at a time) and how to make the link with basic chord shapes.

Lesson By Thomas Berglund

This video lesson is an easy chord/melody guitar arrangement of Blue Bossa, a very popular instrumental latin jazz tune composed by Kenny Dorham. The video includes a lesson where Thomas shows and discusses the arrangement and also provides tips to make your own arrangements.

This short jazz guitar study with tab, score and chord charts provides some easy jazz lines to apply over three common chord progressions found in jazz. These licks will help you better understand what scales and modes can be used over basic chord changes. You'll find a link to the free PDF at the end of this lesson.

Lesson by Joost Zoeteman

This video lesson is taken from JGL's facebook group "Jazz Guitar Lessons". Guitarist Joost Zoeteman explains how different types of pentatonic scales can be applied to a 2 5 1 chord progression.

This warm-up exercise for guitar is to repeat a melodic line following the cycle of fourths.

This line is made of two bars containing a major seventh arpeggio (1 - 3 - 5 - 7) and two half-diminished arpeggios (1 - b3 - b5 - b7).

Lesson by George Dafnos

Here are somme ideas inspired by great jazz guitarists as Wes Montgomery ,George Benson on how to superimpose almost all the chord family degrees. This concept helps mapping the arpeggio combinations and listen different coloursounds above root ,subdominant or dominant families. After mastering all these, be sure to try making your own jazz lines and licks.

Satin Doll by Duke Ellington and Billy Strayhorn, witten in 1953, is one of the most famous jazz tune. It has been recorded by many jazz musicians as Wes Montgomery, Ella Fitzgerald, Mc Coy Tyner, Oscar Peterson and of course Duke Ellington himself. It has become a classic jazz standard, a must-hear, very popular at jam sessions.

This guitar lesson with chord shapes and scale charts explains how to play easy jazz chords and what basic scales to choose for improvising over Satin Doll.