jazz guitar lessons
How to Play a Jazz Intros and Endings on Guitar?
There are mutliple ways of taking an intro or ending a jazz tune, the truth is that you can play whatever you want. You can start from the V of the key, simply play the last 4 or 8 bars of the tune, try to incorporate a turnaroud and its several variations, the list is long....
You''ll find in this lesson 10 jazz guitar progressions with tabs, standard notation and audio files that work both as intros and endings for any jazz standards in C major. Altough all these exercises are in the key of C major, it is possible and very important to transpose them in any key. The general purpose of this lesson is to adapt these lines to your favorite tunes.
What Scale to Choose for Improvising?
One of the most common question a beginner asks when he wants to start improvising on guitar is : Which scale to choose over which chords? However, there is a lot of scale and a lot of chord, it is easy to get lost. That's why it is important to make the relation between them, trying to understand what is the appropriate scale that fit the chord and vice versa.
This guitar lesson provides the seventeen most important scales with shapes and formulas to know for improvising over the most used chord types in jazz music (major, minor, dominant and diminished).
This lesson contains five free guitar studies for beginners that outline the use of arpeggios over a Bb jazz blues progression. There are different kinds of jazz blues progressions. The one that is used in this eBook is built with a secondary dominant (VI7), a passing diminished (#IVdim7) and a turnaround (I7, VI7, iim7, V7).
Bb7 G7 (b9)
This page lists the eBooks available for download on the website. All theses methods are in PDF format, so they can be printed and viewed on all types of media systems (tablets, smartphones and computers).
Joe's blues is a 12-bar blues taken from one of the many Joe Pass methods named "Joe Pass on Guitar". This lesson covers the first 24 bars of the original lesson. If you listen to the audio file provided with the book you can hear that there are a lot of mistakes in the transcription. That's why I have decided to transcribe those lines directly from what I heard.
This blog article is related to the video tutorial published on JGL YouTube channel. It contains 10 II V7 jazz bebop guitar patterns with analysis and scale shapes. These lines come from the first chapter of David Baker's book "How To Play Bebop Vol.2 - Learning the bebop language". They correspond to the first ten exercises of the section named "The Use of The II V7 Progression in Bebop".
You 'll find in this lesson a quick analysis of each pattern with scale diagrams (Dorian, Dorian bebop, Mixolydian, dominant bebop, Mixolydian b13, altered, mixo-blues and half-whole diminished).
Dominant 7 Chord Altered Extensions - Guitar Infographic
Focusing on jazz standards is surely the best way to accelerate the learning process of jazz guitar, making sure to choose easy songs with a few numbers of chords and melodies that can be easy to hear, play and memorize. When learning jazz guitar, it's very important to spend time learning famous jazz songs, it is an essential part of being a jazz musician. Many guitar students are able to play a ton of chords, arpeggios and scales but they can't play a jazz tune mixing both the melody and the chords.
Here are 5 easy chord-melody arrangements of popular jazz songs for beginning jazz guitarists. Each lesson is available for free as a YouTube video with guitar chord diagrams overlayed in real time.
Beautiful love (Wayne King, Victor Young and Egbert Van Alstyne)
Misty (Errol Garner)
Moon river (Henry Mancini)
Stella by startlight (Victor Young)
Autumn Leaves (Joseph Kosma)
Learning and playing scales can be an important part of any guitarist’s practise regime. By playing scales in a variety of ways we can develop our familiarity with the fretboard beyond simply going up and down scales. In this tutorial we will look at combining two different scale patterns by shifting between them on various strings. For this we are going to use two patterns of an Eb Melodic minor scale, patterns 2 and 3. The Melodic minor scale consists of the intervals R 2 b3 4 5 6 7 (R is for the Root note).
You will find in this page 5 exercises to learn to play different jazz guitar chord voicings over the most used chord progression in jazz, the famous II-V-I sequence.
A new video is online on the youtube channel. It is a quick jazz guitar chord melody arrangement with chord diagrams of the famous jazz standard "Stella by Starlight" (Victor Young).
If the basic sound of jazz is based on tetrad chords (aka four-note chords), it is common to extend them with other tones. These other notes form the upper structure of a chord which includes 9th, 11th and 13th. Adding extensions to chords help to get off the beaten tracks and provides some new harmonic colors to your playing (chord soloing, comping, and arrangement). This lesson provides you useful extended major 7th chord shapes to apply to your playing.
A new video has just been uploaded on the youtube channel. This lesson contains the 21 most recent jazz guitar licks & transcriptions posted on the channel.
Here is the summary :
- 10 Kenny Burrell licks
- II-V7alt-I lick
- Clifford Brown solo transcription
- Eric Gale solo transcription
- Grant Green airegin solo transcription
- Duet in F - Berklee
- John Scofield Wee #1
- John Scofield Wee #2
- John Scofield Wee #3
- Dominant 7th lick
- Soul jazz lick
- Jazz blues lick
A new printable PDF eBook dedicated to soul jazz guitar licks is now available for download.
Soul jazz (sometimes called "jazz-funk) is a form of jazz commonly associated with hard bop. It has strong influences from blues, rhythm & blues and gospel. You can also go listen to Lou Donaldson, Big John Patton, Jimmy "Hammond" Smith, to soak up this style.
All these licks are two bars licks in the key of Bb7 and inspired by great guitarists as Grant Green, Melvin sparks, Wes Montgomery or Kenny Burrell. They are essentially built with notes from the minor, major pentatonic and minor blues scale.
Each lick is analysed and accompanied by a quality audio file. A backing track is also included in the package.
Why all these licks are in the same key ?
To simplify learning, it's easier to memorize them, then you can make the connection between each lick to built longer guitar solos. Once you have learnt these licks, the aim is to play them in different keys, add notes and fret hand techniques (bends, hammer-on, pull-off, slides) vary the rhythm...
9,90 $ DOWNLOAD
Package details :
- 1 printable PDF eBook with 25 soul jazz guitar licks in Bb7 with tabs, scales charts, guitar fretboard diagrams (5 boxes for each scales) and analysis.
- 1 soul jazz backing track (Quality mp3 audio file).
- 25 soul jazz guitar licks audio files (Quality mp3 audio files).
"A modern method for guitar" (Berklee press) is a book written by William Leavitt.
This beginning-level book teaches a wide range of guitar and music fundamentals like: scales, melodic, chords & arpeggios studies, how to read music, accompaniment techniques, special exercises for developing technique in both hands, a unique approach to voice leading using moveable chord forms, and more. It is specifically designed to help guitar students to accomplish two fundamental things :
- Teaching to read music (improve your sight reading).
- Developping dexterity of both hands.
There are three volumes in this collection.
This new video posted on the youtube channel is about a guitar duet called " Duet in F " taken from this guitar method. As its name implies it is a guitar duet (20 measures) in the key of F including altered notes, chromaticisms and chords of 3 notes . It is very interesting and quite easy to play, provided to be able to read music because there is no tabs in this book but only scores. Please note that it is played "swing" in the video even if there is no mention that you have to play it "swing" in the book. Free to you to play it with "swing feel" or "straight feel".
This video contains score and is divided in 3 parts :
- Both guitar parts together
- First guitar only at 0:51
- Second guitar only at 1:41