Scales & Modes
What's a Scale in Music?
A scale is a sequence of ascending or descending pitches that form a palette of notes that can be used to create melodies or improvised lines. The notes have differing intervals between them, sometimes it's one half-step (semitone), other times it's a whole step (two semitones).
What Are The Main Musical Scales?
There are many types of musical scales :
- Diatonic scales (constructed from a mix of half-steps and whole-steps)
- Chromatic scales (every half note in an octave).
- Whole-tone scales (notes a whole step apart).
- Pentatonic scales (five notes per octave).
- Hexatonic scales (six pitches per octave).
- Bebop scales (eight notes scales).
- Symmetric scales (equal division of the octave).
Scales can even include quarter-tones and micro tones in the music of other cultures.
What Is a Musical Mode?
A mode is a specific type of scale. Each such sequence created by starting on a different note of a scale is a mode of that scale. In other words, a mode can be seen as a scale within a scale.
You may obtain multiple lessons covering the primary guitar scale types for free by clicking on the links below.
Modes Of The Major Scale :
Modes Of The Harmonic Minor Scale :
- Harmonic minor scale.
- Locrian 13 or Locrian 6.
- Ionian #5.
- Dorian #11.
- Phrygian dominant.
- Lydian #2.
- Super locrian bb7.
Modes Of The Melodic Minor Scale :
- Melodic minor aka jazz minor scale.
- Dorian b9.
- Lydian augmented.
- Lydian dominant.
- Mixolydian b13.
- Locrian #2.
- Super locrian.
Modes Of The Harmonic Major Scale
Modes Of The Double Harmonic Major Scale :
- Double Harmonic Major (aka Byzantine).
- Lydian Sharp Second Sharp Sixth.
- Ultraphrygian / Phrygian b4 bb7.
- Hungarian Minor / Double Harmonic Minor / Gypsy Minor / Harmonic Minor #4.
- Oriental / Asian / Mixolydian b5 b9.
- Ionian Augmented #2.
- Locrian bb3 bb7.
- Major Bebop.
- Dorian Bebop.
- Dominant Bebop.
- Locrian Bebop.
- Phrygian Dominant Bebop.
- Harmonic Minor Bebop.
- Melodic Minor Bebop.
- Major pentatonic.
- Minor Pentatonic.
- Man Gong.
- Dorian b2.
- Minor 6.
- Lydian Dominant.
Exotic Scales And Rare Scales
- Neapolitan Minor.
- Neapolitan Major.
- Romanian Major.
- Romanian Minor.
- Hungarian Major.
- Hungarian Minor.
- Spanish Gipsy.
- Arabian aka Locrian Major.
- Major Sixth Diminished Scale.
- Asian Scale Aka Minor Romani Inversed.
Related PDF Methods
The following pics below show the PDF methods that deal with scales.
You will find below lesson providing guitar scale charts, shapes, theory, tabs and exercises for practicing modes on guitar. Click on the links to access the categories.
The seven modes of the major scale (Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, Locrian).
Modes of the Harmonic Minor Scale
The seven modes of the harmonic minor scale (Harmonic minor, Locrian 6, Ionian #5, Dorian #11, Phrygian dominant, Lydian #2, super Locrian bb7).
Modes of The Melodic Minor Scale
The seven modes of the melodic minor scale (melodic minor, Dorian b9, Lydian augmented, Lydian dominant, Mixolydian b13, Locrian #2, super Locrian)
Modes of the Harmonic Major Scale
The seven modes of the Harmonic major scale (harmonic major, Dorian b5, Phrygian b4, Lydian b3, Mixolydian b2, Lydian augmented #2, Locrian bb7).
Modes of The Double Harmonic Scale
The seven modes of the double harmonic scale (Double Harmonic Major, Lydian Sharp Second Sharp Sixth, Ultraphrygian / Phrygian b4 bb7, Hungarian / Gypsy Minor / Harmonic Minor, Oriental / Mixolydian b5 b9, Ionian Augmented #2, Locrian bb3 bb7)
Guitar charts and shapes for playing the major bebop, Dorian bebop, dominant bebop, Locrian bebop, Phrygian bebop, harmonic minor bebop and melodic minor bebop scales on guitar.
Pentatonic scales, charts, theory, licks and shapes for guitar.
Blues scale shapes, theory and charts for guitar players.
Licks, theory, charts and shapes to learn symmetric scales as chromatic, diminished, whole Tone, augmented and tritone scales.
You'll find in this chapter a non-exhaustive list of exotic, rare and unusual scales (Chinese, Japanese, Indian, etc).