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The Dorian b2 Mode aka Phrygian ♮6 - Lesson with Guitar Diagrams and music theory

The Dorian b2 scale, aka Dorian b9 or Phrygian Natural 6 is the second mode of the melodic minor scale. It is derived from the Dorian mode by lowering the second scale degree by a half step (b2). Like all the Dorian modes it belongs to the family of minor scales.

Interval Formula

The Dorian b2 scale is sometimes referred to as the Phrygian Natural 6 scale because the formula is approximately the same as the Phrygian mode, third mode of the major scale.

Indeed, the Phrygian mode contains a minor sixth (b6) whereas the Dorian b2 has a major sixth (6). You can also think of this mode as the Dorian mode with a flattened second (or flattened ninth). 

As shown in the chart below, the interval pattern is : Half step, whole step, whole step, whole step, whole step, half step, whole step giving the following formula : 1 - b2 (b9) - b3 - 4 (11) - 5 - 6 (13) - b7.  

D Dorian b2 mode D Eb F G A B C
Formula 1 b2 (b9) b3 4 (11) 5 6 (13) b7
Intervals H W W W W H W

 

Notice that the Dorian b2 scale is also built the same as the Javanese Pelog Scale. 

Guitar Shapes

Here are several diagrams to play the Dorian b9 mode on guitar : 

  • One-Octave Shapes
  • Two Octave Shapes
  • 3 Notes Per String Shapes
Dorian flat 2 mode for guitar
Dorian b9 guitar scale
Dorian b9 scale guitar shapes

Comparison With Other Dorian Modes

As it is shown in the chart below, there are several Dorian modes : 

  • The Dorian mode is the second mode of the major scale.
  • The Dorian #11 mode, fourth mode of the harmonic minor scale.
  • The Dorian bebop scale which contains eight notes, including a passing tone between the b3 and the 4th.
Dorian b9 mode 1 b2 (b9) b3 X 4 (11) 5 6 (13) b7
Dorian mode 1 2 (9) b3 X 4 (11) 5 6 (13) b7
Dorian #11 mode 1 2 (9) b3 X #4 (#11) 5 6 (13) b7
Dorian bebop scale 1 2 b3 3 4 (11) 5 6 (13) b7
Comparison between dorian modes for guitar

2 - 5 - 1 Lick

The Dorian b9 mode can be used over the V of a II-V-I sequence to bring a little bit of tension to your line. This way you will highlight the b9, #9 and 11 of the dominant chord. As you can see in the example the G dorian b2 scale (G-Ab-Bb-C-D-E-F) is played over G7alt.

II-V-I sequence with Dorian and Dorian b2 modes

 

Dorian b2 lick
 

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Last edited: 2024-03-30

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