The Locrian Bebop Scale | Guitar Diagrams and Patterns

Locrian Bebop Scale | Guitar Diagrams

What's the Locrian Bebop Scale?

The Locrian bebop scale is made up of eight notes, it's an octatonic scale. The formula is 1 - b2 - b3 - 4 - b5 - 5 - b6 - b7. This is the Locrian mode with a passing tone (5) between the flat five (b5) and the minor sixth (b6). This scale is commonly played over m7b5 chords but it can be a good choice when you want to improvise over dominant chords as explained below. 

B Locrian bebop scale B C D E F F# G A
Formula 1 b2 b3 4 b5 5 b6 b7
Intervals H W W H H H W W


Comparison With the Dominant Bebop Scale

The dominant bebop scale contains the same notes as the Locrian bebop scale. It means that you can play the Locrian bebop scale starting on the third of a dominant 7 chord. For example, over G7 play B Locrian bebop.

G Dominant Bebop G A B C D E F F#    
Formula 1 2 3 4 5 6 b7 7    
B Locrian Bebop      B C D E F F# G A
Formula     1 b2 b3 4 b5 5 b6 b7

Locrian Bebop Scale | One Octave Shapes

How to Play the Locrian Bebop Scale on Guitar?

Here are four shapes to play the Locrian bebop scale on guitar.

In a first step, for better hearing this scale, it is recommended to play these diagrams starting from the lowest root (R).

Then you can try to practice them starting from the chord tones, (the most important notes). The chord tones are 1 - b3 - b5 and b7. You need to make sure to play the passing tone (5) on upbeats and the chord tones on downbeats.

Another important thing to take into account is to practice these patterns in twelve keys and associate them with the corresponding chord.


Locrian bebop scale one octave shapes

Locrian Bebop Scale | Two Octave Shapes

In these diagrams the Locrian bebop scale is represented within the space of two octaves.

Locrian bebop scale two octave shape

Minor II-V-I Lick | Locrian Bebop Scale

Here is an example of how to use the Locrian bebop scale in a minor II-V-I sequence. The D Locrian bebop scale is played over a Dm7b5 chord.


Locrian bebop lick minor ii v i

  • 101 Dominant Arpeggio Patterns

    This printable PDF guitar lesson provides 101 dominant arpeggio exercises with tab, theory and standard notation for the jazz, blues and rock guitarist.
  • 40 Major Jazz Guitar Licks

    Printable PDF eBook containing 40 major jazz guitar licks with tab, standard notation and audio files for beginners and intermediates.
  • 49 Essential Jazz Lines

    This printable eBook in PDF format provides 49 jazz solo transcriptions of the greatest jazz musicians of all times with TABS, standard notation, audio files and analysis both for guitar teachers and students.
  • Mastering Pentatonic Scales

    This jazz guitar method is an eBook available as a PDF with standard notation, guitar tabs, diagrams, analysis, audio files and backing tracks. You will find in this booklet 25 easy jazz guitar lines with theory using common and rare pentatonic scales.
  • 20 II-V-I jazz guitar licks

    This method is a printable PDF eBook containing 20 II-V-I jazz guitar lines with tabs and audio files both in major and minor keys
  • 50 II-V-I voicings

    Jazz guitar comping. How to play II-V-I chord progressions on guitar with drop 2, drop 3 chords, rootless and inverted voicings. This method is a printable PDF eBook containing 50 exercises with audio files, analysis, tab & standard notation.
  • 11 blues jazz studies

    This PDF method contains 11 guitar lessons with chord studies, tabs, standard notation, analysis & audio files about the main blues progressions used in jazz music.
  • Mastering the altered scale

    This PDF eBook method contains 25 altered jazz guitar licks with tabs, patterns, scale charts and audio files to master, apply and develop the altered scale.
  • 40 Blues Dominant patterns

    This printable method is available as a PDF file containing 40 easy dominant jazz-blues guitar lines with tabs, standard notation, analysis, audio files and scale charts.
  • 25 Soul Jazz Guitar Licks

    You will find here an eBook available in PDF containing 25 soul jazz and hard bop guitar licks in the style of Grant Green, Melvin Sparks, George Benson. These jazz lines come with tabs, standard notation, guitar neck diagrams, backing track for practice and 25 audio files for each riff.
  • 25 Diminished Patterns

    This eBook PDF with audio files contains 25 dominant diminished jazz guitar patterns using the half-whole diminished scale and diminished 7th arpeggios.
  • 6 Tritone substitution licks

    The tritone substitution is explained through 6 jazz guitar licks with tabs/notation, youtube video links. Printable PDF eBook.

Last edited: 02/02/2019


  • Johhny
    • 1. Johhny On 03/07/2019
    Hello. I was looking for info on "Bebop Locrian" and found your version among a few others on the web. When it comes to 'Bebop' scales people tend to invent all kinds of 8-note scales. In classic Bebop there were probably 2 scales in common use: The 7th Bebop with the passing n 7 and the Major Bebop with the passing #5. The Dorian Bebop is just an extension of the 7th with the passing note falling on n 3. You suggest n 5 as a passing note for 'Bebop Locrian'. I think if you consider the scale in the context of min ii-V-i it would be logical to view it as an extention of E7 being the dominant of A-min. In that case it would insert n 3 into the Bebop Locrian by analogy with the Dorian minor. However that's probably a matter of taste after all. Many don't understand why in the descending Bebop Dorian the n 4 is allowed to fall on the strong beat. Why not if that's a valid color tone over minor ii. In min7b5 however it will probably rub against the b5 while your passing n 5 will smoothly place that 4 on the off beat. That could be a good thing but do you know if that was a comon practice in the Bebop soloing?