The melodic minor scale is built this way : tonic (1), second (2), minor third (b3), fourth (4), fifth (5), sixth (6) and seventh (7).
C Melodic Minor Scale
C
D
Eb
F
G
A
B
Formula
1
2
b3
4
5
6
7
Intervals
W
H
W
W
W
W
H
Difference Between Melodic Minor Scale and Dorian Mode
As you see in the chart below, the melodic minor scale contains the same notes as the Dorian mode except the seventh that is major instead of minor.
C Dorian mode
C
D
Eb
F
G
A
Bb
Formula
1
2
b3
4
5
6
b7
C melodic minor scale
C
D
Eb
F
G
A
B
Formula
1
2
b3
4
5
6
7
Difference Between Melodic Minor and Harmonic Minor
The melodic minor scale and the harmonic minor scale are very similar. The only difference is that there is a minor sixth (b6) in the harmonic minor scale whereas there is a major sixth (6) in the melodic minor scale.
C harmonic Minor
C
D
Eb
F
G
Ab
B
Formula
1
2
b3
4
5
b6
7
C melodic minor
C
D
Eb
F
G
A
B
Formula
1
2
b3
4
5
6
7
How To Use the Melodic Minor Scale?
Theoretically the melodic minor scale is related to minMaj7 chords but it can also be used over minor chords as m6, m7, m9, m11, m6/9.
Playing the minor melodic scale over a minor 7 chord creates a tension because of the major seventh present in it. You need to resolve you lick on a proper note to attenuate this tension.
One Octave Shapes
Here are two recommended guitar positions to play the melodic minor scale.
To understand and hear correctly the melodic minor scale it is important to play these shapes starting from the tonic (1) represented in orange in the diagrams.
Dont' forget to play these patterns in twelve keys by moving the tonic to the desired note keeping the same intervals.
Two Octave Shapes
The two diagrams represent the Melodic minor scale on the guitar neck within the space of two octaves.
3 Notes Per String
Here are seven shapes starting on each step of the the G minor scale in order the cover the whole neck. Each shape contains 3 notes per string.
Let's take an example in the key of Cm : C minor(maj7), is built by stacking C, Eb, G and B respectively root (1), minor third (b3), perfect fifth (5) and major seventh (7).
Once you have harmonized the melodic minor scale you get :
Two dominant 7th chords on the fourth and the fifth degree.
Two minor seventh chords (which on as a major seventh) on the first and second degree.
One augmented major seventh chord (III).
Two minor seventh flat fifth chords on degrees VI & VII.
Remember that augmented chords are necessarily major and diminished chords are minor.
Degrees
I
II
III
IV
V
VI
VII
C melodic minor scale
C
D
Eb
F
G
A
B
Triad chords
Cm
Dm
Ebaug
F
G
Adim
Bdim
Seventh chords
C-maj7
D-7
EbMaj7#5
F7
G7
A-7b5
B-7b5
Chord Formulas
Here are the seventh chords built from each degree of the C melodic minor scale.
Chords
Notes
Formulas
CmMaj7
C-Eb-G-B
R-b3-5-7
D-7
D-F-A-C
R-b3-5-b7
EbMaj7#5
Eb-G-B-D
R-3-#5-7
F7
F-A-C-Eb
R-3-5-b7
G7
G-B-D-F
R-3-5-b7
A-7b5
A-C-Eb-G
R-b3-b5-b7
B-7b5
B-D-F-A
R-b3-b5-b7
Melodic Minor Arpeggios
Arpeggios are chords whose notes are played individually. Arpeggios of the melodic minor scale are therefore built the in same way as the chords previously seen.
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