How is Built the Whole Tone Scale?
There are only two complementary whole tone scales :
| C whole tone scale |
C |
D |
E |
F# |
G# |
A# |
| Db whole tone scale |
Db |
Eb |
F |
G |
A |
B |
| Intervals |
W |
W |
W |
W |
W |
W |
| Formula |
1 |
2 |
3 |
#11 (or #4) |
#5 |
b7 |
As it is shown above the whole tone scale is built with a root (1), a second (2), a major third (3) a raised eleventh (#11 / #4), a raised fifth (#5) and a minor seventh (b7).
To sum up, this scale can be applied to any augmented dominant seventh chord (7#5) or any dominant seventh chord when you want to add tension.
Example with the C whole tone scale which can be played over the following chords :
C7, D7, E7, F#7, G#7, Bb7
C7#5, D7#5, E7#5, F#7#5, G#7#5, Bb7#5.
One same scale over six different chords, this is the principle of this symmetric scale.
The Whole Tone Scale in Twelve Keys
This chart illustrates the tones of the twelve whole tone scales.
This will help you to build augmented triads and augmented seventh arpeggios as explained a little later in this lesson.
| Tone 1 |
Tone 2 |
Tone 3 |
Tone 4 |
Tone 5 |
Tone 6 |
| C |
D |
E |
F# |
G# |
A# |
| D |
E |
F# |
G# |
A# |
C |
| E |
F# |
G# |
A# |
C |
D |
| F# |
G# |
A# |
C |
D |
E |
| G# |
A# |
C |
D |
E |
F# |
| A# |
C |
D |
E |
F# |
G# |
| Db |
Eb |
F |
G |
A |
B |
| Eb |
F |
G |
A |
B |
Db |
| G |
A |
B |
Db |
Eb |
F |
| A |
B |
Db |
Eb |
F |
G |
| B |
Db |
Eb |
F |
G |
A |