guitar lesson
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One Note Samba - A.C Jobim - Transcription For Guitar
- By Stef Ramin
- On 12/01/2018
- In Jazz Guitar Lessons
- 0 comments
One note samba is a song composed by Antonio Carlos Jobim. The title refers to the main melody of the song, which consists of a serie of identical notes (F and Bb in this arrangement for guitar) with a syncopated rhythm typical of bossa nova and a number of chords typical of this genre. -
Jazz up Your Blues - Guitar Lesson
- By Leigh-Fuze
- On 09/22/2018
- In Guest Posts
- 0 comments
One of the most daunting shifts for any guitarist can be entering the world of jazz guitar. We’ve all read jazz tutorials and watched videos by those in the know and it’s a vast world full of new theoretical and practical concepts.
Most guitar players get into playing through rock/blues and find jazz later on their ability spectrum. If you understand blues, you can start to make some small changes which will add a jazz dynamic to your playing. In this lesson we will cover some of those small changes you can integrate into your playing today. -
Why Jazz Guitarists Should Study The CAGED Method
- By Chris-Primeau
- On 12/24/2017
- In Guest Posts
- 0 comments
Why Jazz Guitarists Should Study The CAGED Method
When I first joined my high school jazz band, it was a humbling experience. I knew my major scales and modes, but only with the roots on the E and/or A string. This worked fine for playing pop music, but the way jazz progressions were always changing chords with each measure, my hands were constantly getting lost. If I was playing a C major line in eighth position, how did I switch to a Bb mixolydian scale without jumping my hand up or down and making the improvisational idea totally disjointed ? I could never understand how jazz guitarists could keep their ideas going as the chords changed from moment to moment. And how did players like Joe Pass know how to run an improvised line right into a chord voicing? Additionally, as I progressed to the higher registers of the guitar, I could never tell where I was in the scale anymore. It seemed impossible! -
10 Jazz Blues Tunes Every Beginning Guitarist Should Know
- By Stef Ramin
- On 12/05/2017
- In Jazz Guitar Lessons
- 2 comments
Building your jazz blues repertoire
A big part of learning jazz guitar means building his own repertoire of pieces. Here is a list of 10 jazz blues songs every beginning guitarist should know. This short list covers a range of jazz blues chord progressions and their different variations (form, tonality, Harmonic structure) with a brief analysis. It also represents the most played jazz blues tunes at jam sessions. -
Stella by Starlight - Jazz guitar chord melody lesson
- By Stef Ramin
- On 04/11/2017
- 1 comments
A new video is online on the youtube channel. It is a quick jazz guitar chord melody arrangement with chord diagrams of the famous jazz standard "Stella by Starlight" (Victor Young).
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What's a Half-Diminished Chord (m7b5)
- By Stef Ramin
- On 04/07/2017
- 0 comments
This article explains what are m7b5 chords, how to play them on guitar and how to apply them in common harmonic contexts as major and minor II-V-I progressions.
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List of Musical Intervals - Music Theory
- By Stef Ramin
- On 04/06/2017
- In Music Theory
- 0 comments
What is an Interval ?
An interval is the distance between two notes, each one is represented by a number (1,2,3,4,5,6,7...) and a prefix related to its quality ("M" for major, m for minor, "P" for perfect, "d" for diminished and "A" for augmented). There are five different qualities.
An interval can be melodic, when the tones are successive (played one after the other) and harmonic, if the notes are stacked (played simultaneously). Knowing the name of each interval is very important for any musician, they are essential elements of music theory. Intervals are very useful to understand how chords and scales are built. This article shows you how to make the difference between them.
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Chords in Fourths - Quartal Harmony
- By Stef Ramin
- On 01/07/2017
- 2 comments
What is Quartal Harmony?To enrich and modernize the harmonization of a piece it is common to use fourth chords. They can replace some original chords to bring more melodic freedom into improvisation and more tension in harmony. Since the late 1950s, harmony in fourths has played a very important role in the development of modern jazz. Musicians and composers have used a lot the quartal harmony. Among them, the great American pianist McCoy Tyner, who, is a master in the art of playing quartal chords. Mike Stern, Herbie Hancock, Chick Corea, Bill Evans and Kurt Rosewinkel have also used this technique. In this lesson we will see how to build chords in fourths, how to harmonize the major scale with and how to use them in comping.
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What Are Guide Tones and How to Use Them
- By Stef Ramin
- On 12/14/2016
- 0 comments
What Are Guide Tones?They are the notes in a chord which leads or gives harmonic pull toward the next chord, these are an excellent way to study and absorb the sound of any chord progression. Guide tones are used to outline chord progressions in an improvisation. They are most of the time the 3rd and the 7th because this is what determines whether a chord is major, minor, or dominant.
You will learn how to target important notes in each chord by working on guide tones. This jazz guitar lesson explains how to solo over common jazz progressions using and connecting the guide tones.
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How To Practice Scales On Guitar
- By Stef Ramin
- On 10/27/2016
- In Jazz Guitar Lessons
- 0 comments
Tips and Tricks To Help You Practice ScalesWhen you want to master jazz language, one of the first things to do is to learn scales and modes. Any guitar student need to memorize the fingerings, the names and the composition of each scale. It is important to make the difference between the main types of musical scales (major, minor, augmented, symmetric and diminished), important to know what scale works with a particular chord. In the long run the practice of scales can be confusing and seems a never-ending. Here are some tricks and tips for practicing scales while developing your musical ear, your guitar technique and your theoretical knowledge.
