Sometimes the bII7 chord can be altered with the flat fifth provided that it resolves.
It is a common trick when you want to spice up the tritone substitution. Just play a Db7b5 chord (bII7b5) in place of the original dominant 7th chord (G7).
This way it is closer than the original chord. As it is shown in the chart below the V (G7) and the bII7b5 (Db7b5) have three notes in common (G, B and F).
| G7 | G | B | D | F |
| Formula | 1 | 3 | 5 | b7 |
| Db7b5 | Db | F | G | B |
| Formula | 1 | 3 | b5 | b7 |
Now try to lower the fifth of G7 (D becomes Db) and you'll see that Db7b5 and G7b5 are made up of the same tones.
This is the principle of the symmetry, meaning that you can replace G7 with G7b5. This could give some new possibilities to enrich a harmonic progression.
| G7 | G | B | Db | F |
| Formula | 1 | 3 | b5 | b7 |
| Db7b5 | Db | F | G (Abb) | B |
| Formula | 1 | 3 | b5 | b7 |
Here are two examples, based on the previous I-vi-ii-V sequence, with two G7b5 voicings. You can take a look at the page about drop 2 dominant flat five voicings to learn different positions on the guitar neck.
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Very well explained thanks. Love this website.Thanks a lot for the kind words.
Stef
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