Tritone substitution

  • Warm-up Exercise #2 - Dominant 7th Arpeggios

    This lesson is about a good warm-up exercise for guitarist implying a short pattern (4 beats) made of dominant seventh arpeggios  separated by a tritone (3 whole tones = augmented fourth). This pattern is repeated following a descending chromatic movement.

    Continue reading

  • New eBook available | 50 exercises for jazz guitar | II-V-I voicings

    II-V-I voicings for jazz guitarA new eBook is available for download. It contains 50 exercises with guitar tabs and standard music notation that will show you how to use different types of voicings over a II-V-I progression. This PDF eBook will help you to understand how the main jazz guitar chords are built (minor 7, major 7, dominant 7, diminished 7, half-diminished, augmented, 7b5, drop 2, drop 3, inverted, altered, extended and rootless chords) and how to apply chord substitutions (diatonic sub, tritone sub and diminished substitutions).

    Click here for more details

  • The Tritone Substitution - Guitar Lesson With Theory and Tabs

    One of the most popular jazz chord substitution is the tritone substitution sometimes referred to as dominant chord substitution.

    It consists in replacing a dom7 chord by another dominant 7th chord whose root is a tritone away from this initial chord. Example with G7 (V), which can be replaced by Db7 which is a tritone (three whole-steps) away from G7

    Thus giving two chords that have two notes in common. The 7th of G7 (F) is the third of Db7 and the third of G7 (B) is the seventh of Db7. The inversion of the 3rds and the 7ths between the original dominant chord (V) and the substituted dominant chord (bII7) is the main feature of the tritone substitution.

    Continue reading

WELCOME,

CLICK THE IMAGE TO GET YOUR FREE PDF

6 tritone substitution licks PDF eBook