Jazz Blues Guitar Lick Over A Dominant 7th Chord (F7) - Minor pentatonic - Chromaticism - Fourth and Third Intervals

This is a four bar blues guitar lick to play on an F7 chord (dominant 7th). implying a short chromatic line, a minor pentatonic scale pattern and two dyads. This can be applied to the first chord (I7) of a classic blues progression.

Brief Analysis

Bar 1 : Short chromatic line (Ab-A-Bb-B-C) between the tonic (F) and its octave. Notice that this chromatic line includes two blue notes : b3 (Ab) and B (b5).
Bar 2 : F minor pentatonic (F-Ab-Bb-C-Eb) aka Ab major pentatonic (relative major).
Bar 3 : Same as measure 2.
Bar 4 : Endings with two dyads? one inverted fourth (Bb-F) and one inverted major third (A-F).

6 Tritone Substitution Jazz Guitar Licks - Free PDF Method

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