Jazz Blues Guitar Lick Over A Dominant 7th Chord (F7) - Minor pentatonic - Chromaticism - Fourth and Third Intervals

This is a four bar blues guitar lick to play on an F7 chord (dominant 7th). implying a short chromatic line, a minor pentatonic scale pattern and two dyads. This can be applied to the first chord (I7) of a classic blues progression.

Brief Analysis

Bar 1 : Short chromatic line (Ab-A-Bb-B-C) between the tonic (F) and its octave. Notice that this chromatic line includes two blue notes : b3 (Ab) and B (b5).
Bar 2 : F minor pentatonic (F-Ab-Bb-C-Eb) aka Ab major pentatonic (relative major).
Bar 3 : Same as measure 2.
Bar 4 : Endings with two dyads? one inverted fourth (Bb-F) and one inverted major third (A-F).

6 Tritone Substitution Jazz Guitar Licks - Free PDF Method

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25 Diminished Jazz Guitar Patterns | eBook PDF with Audio Files

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40 Blues Licks For Jazz Guitar - PDF Method With Audio Files

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25 Altered Jazz Guitar Licks - eBook PDF Method With Audio Files

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25 Pentatonic Lines for Jazz Guitar - PDF eBook Method with Tabs and Audio Files

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Minor 2 5 1 Chord Voicings For Jazz Guitar - PDF Method - 40 Exercises Audio Files

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Guitar Chord Dictionary - Printable PDF Method With Diagrams and Theory

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2 5 1 Licks and Chords - 170 Jazz Guitar Exercises - PDF and Audio

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30 Minor Arpeggio Licks For Jazz Guitar - PDF Method With Audio Files

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Jazz Guitar Lines Over Basic Chord Progressions - Mini Lesson 02 (ML 02)

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Arpeggio Practice - Mini Guitar Lesson 03 (ML 03)

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Jazz Blues Arpeggio Study in Bb (part 1) - Mini Guitar Lesson 04 (ML 04)

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Jazz Blues Arpeggios - Study in Bb (Part 2) - Mini Guitar Lesson 05 (ML 05)

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Jazz Blues Arpeggio Study (Bb) Part 3 - Mini Guitar Lesson 06 (ML 06)

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Connecting Scales And Arpeggios Over Bb Blues - Mini Lesson 08 (ML08)

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