If the basic sound of jazz is based on tetrad chords (four-note chords), it is common to extend them with other tones. These other notes forms the upper structure of a chord which includes 9th, 11th and 13th. Adding extensions to chords help to get off the beaten tracks and provides some new harmonic colors to your playing (chord soloing, comping, and arrangement). This lesson provides you useful extended major 7th chord shapes to apply to your playing.
Basically, major 7th chords are made up of a root (1), third (3), fifth (5) and seventh (7). They can be extended with a ninth (9), a sharp eleventh (#11) and a thirteenth (13).
The notes in yellow in the chart below can be added to the basic structure of a major 7th chord to extend it. Therefore a C major 7th chord can become Cmaj9, C maj7#11, Cmaj13.
|C Major seventh chord||C||E||G||B||D||F#||A|
Mastering Triads on the guitar is necessary for any guitarist who wants to expand is fretboard and theory knowledge. These chords are not really considered as jazz chords because of their basic sound, but they can be efficient tools for comping and chord soloing. Indeed, the strong point of these chords is the simplicity of learning and playing. You will find in this lesson 48 positions to play major, minor , diminished and augmented triad chords on the guitar.
A new page has been published on the website. It's about major triad chords. Triads are a combination of three-note chords built by stacking thirds. They are generally the first chords to learn for a beginner guitarist. Playing triads on all over the guitar fretboard will expand your musical and comping knowledge. This is a very important part to master before tackling seventh chords and other more advanced.
This lesson contains 12 major triad chords with diagrams and charts included 4 root voicings and their related inversions.
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