jazz guitar patterns

  • Target Tones and Enclosures - 58 Guitar Patterns

    Enclosures and target tonesThis guitar lesson is about a very important concept used by many jazz improvisers named "Target notes" or "target tones" or "approach notes". It has to do with targeting chord tones by scale or chromatically. This technique opens the door to another essential type of targeting called "Enclosures" used to surround a chord tone both diatonically and chromatically from above and below. Understanding and applying "Targeting" will help you solos sound more jazzy and allow you to expand your harmonic knowledge.

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  • How To Practice Scales On Guitar

    Mastering basic jazz guitar scalesWhen you want to master the jazz language, one of the first things to do is to learn scales and modes. Memorize the fingerings on the fretboard. Memorize their names, their compositions. Make the difference between a major, a minor, an augmented or a diminished scale. How many tones in this one, how many half-tones in this other one. Knowing which scales work with which chords. In the long run the practice of scales can be confusing and seems a never-ending. Here are some tricks and tips to work out on scales while developing your musical ear, your guitar technique and your theoretical knowledge.

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  • 10 easy Wes Montgomery jazz guitar licks / transcriptions | Dominant 7th

     

    Wes Montgomery jazz guitar licks lessonsWes Montgomery was an american guitar jazz player, considered as one of the greatest jazz guitarist of all time. He has influenced and influence again a lot of jazz guitarists. His playing is characterized by the use of his thumb instead of a pick with incredible dexterity. His guitar solos are gold mines for jazz guitar students.

    He often approached his guitar solos by following the same chords progression in three ways and in the same order:

    1. In single note lines using arpeggios, scales and modes.
    2. By playing octaves.
    3. By playing block chords.

    Wes Montgomery played almost exclusively on a Gibson L-5 CES plugged most of the time into Fender amps (super reverb, twin reverb, deluxe). He also played on Gibson L-7, Gibson L-4, Es-175, ES-125D.

    You will find in this free jazz guitar lesson 10 easy dominant 7th jazz guitar licks with tabs transcribed from "West coast blues". They are all in the key of Bb and time signature is 3/4.


     

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