chords

  • Barry Galbraith jazz guitar study - Like someone - Guitar comping video with bass lines

    Like someoneA new video has been uploaded on the youtube channel. It is a Barry Galbraith comping study named "Like someone". This is the last study from the Barry Galbraith book "Jazz guitar comping series, vol #3" published by Jamey Aebersold. Most of the accompaniments studies (comps) in this book are designed to accompany a melody or an improvised solo with bass lines like a pianist would do. It is a very great book to practice jazz comping guitar.

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  • How to play major triads on the guitar - Close and open voicings

    Drop 2 major chord bass on string 5 3A major chord is built with three notes namely root (1), major third (3) and fifth (5). These three tones represent the structure of the major chord. The same holds true for minor, diminished and augmented chords. In this guitar lesson you will learn how to develop a major chord in closed and open triad voicings (also known as spread voicings). 

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  • New eBook available | 50 exercises for jazz guitar | II-V-I voicings

    II-V-I voicings for jazz guitarA new eBook is available for download. It contains 50 exercises with guitar tabs and standard music notation that will show you how to use different types of voicings over a II-V-I progression. This PDF eBook will help you to understand how the main jazz guitar chords are built (minor 7, major 7, dominant 7, diminished 7, half-diminished, augmented, 7b5, drop 2, drop 3, inverted, altered, extended and rootless chords) and how to apply chord substitutions (diatonic sub, tritone sub and diminished substitutions).

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  • New video - Jazz guitar comping rhythm lesson & chord study.

    A new video has been uploaded on the youtube channel. Jazz guitar comping rhythm lesson & chord study with diagrams.
     

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  • Jazz up basic guitar chords - Jazz guitar lesson for beginners

    Jazz up your chord - Jazz guitar lessonGenerally, when a beginner starts to learn to play guitar, he tackles open chords (up the guitar neck), those found in many popular songs. Then, come the bar chords (major, minor, dominant 7) a little hard to master. But all these chords do not have a very interesting sound and are not mostly used in jazz music. That's why in this lesson,  (addressed to jazz beginners) we will take the main basic guitar bar chords (involves barring severral strings with one finger) to transform and enrich them so that their sonority is richer, exciting and better suited to jazz concept.

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  • Tritone chord substitution - Jazz guitar lesson

    Tritone chord substitutionOne of the most popular jazz chord substitution is the tritone substitution sometimes referred to as the dominant chord substitution. The most used is to replace the V with a dominant 7th chord whose root is a tritone below. Example with G7 (V), it can be replaced by Db7 a tritone (Three whole-steps) away. Thus giving two chords that have two notes in common. The 7th of G7 (F) is the third of Db7 and the third of G7 (B) is the seventh of Db7. The inversion of the 3rds and the 7ths between the original dominant chord (V) and the substituted dominant chord (bII7) is the main feature of the tritone substitution. 

    Tritone substitution

    If the most common tritone substitution involves two dominant chords, there are other chords that can be substituted as the vi chord, the ii chord, and the iii chord. You can substitute any chord which has its roots the flat fifth of the original chord. The type of chord used depends on the melody and the desired harmony. The tritone substitution can also change qualities from the chord it is substituting. Provided that the melody indicates no strong preferences for chord type. For example, dom7 chords can be played in place of minors. This could be subject of another lesson. Meanwhile this article is focused on dominant seventh tritone substitutions.

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