• How To Play Autumn Leaves - Jazz Guitar Chords - Advanced lesson

    Autumn leaves chord arrangementAutumn leaves is a 1945 song composed by French musician Joseph Kosma. The original lyrics are in French, written by Kosma but in 1947 Johnny Mercer wrote the English ones. Since that time it has become a very popular song and surely one of the most played jazz standards. This song is in a AABC form (32 bars), very much appreciated by beginners because the harmonic progression is pretty simple to play and easy to understand. It covers a very important chord sequence found in jazz, the ii-V-I both in minor and major.

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  • 25 Altered Dominant Guitar Chords

    Altered dominant chordsAltered dominant chords are used to bring tension and an outside flavor to jazz chord progressions. They generally resolved to an inside chord as the I or a substitute as iii or vi. They have one or more notes lowered or raised by a half-step, in other words they contain one or more alterations. These alterations can be b9,#9, b5 (#11) and b13 (#5). Jazz musicians, composers and arrangers used them as substitutions for diatonic chords for adding more dissonance and spice up the harmony. This tutorial provides 25 altered guitar chord shapes to understand how they are constructed and how to play them on guitar.

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  • What Is a Backdoor Progression And How To Play Over It

    The backdoor progression jazz lessonIn jazz, there are many types of turnarounds and progressions that eventually we all must encounter. A key part of how you practice should be in preparing yourself for these progressions and turnarounds. Whether that is by learning a shed-full of Parker’s II V I licks, by practicing exercises over progressions or even by learning a new standard. The end result is that you are better equipped to deal with what is in front of you in the moment on the bandstand.
    To this end, I’m going to talk to you today about a progression known as the backdoor progression.

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  • Why Jazz Guitarists Should Study The CAGED Method

    Why Jazz Guitarists Should Study The CAGED Method

    The CAGED method - Guitar lessonWhen I first joined my high school jazz band, it was a humbling experience. I knew my major scales and modes, but only with the roots on the E and/or A string. This worked fine for playing pop music, but the way jazz progressions were always changing chords with each measure, my hands were constantly getting lost. If I was playing a C major line in eighth position, how did I switch to a Bb mixolydian scale without jumping my hand up or down and making the improvisational idea totally disjointed ? I could never understand how jazz guitarists could keep their ideas going as the chords changed from moment to moment. And how did players like Joe Pass know how to run an improvised line right into a chord voicing? Additionally, as I progressed to the higher registers of the guitar, I could never tell where I was in the scale anymore. It seemed impossible!

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  • The 14 most important jazz chord progressions

    Minor ii valt i chord progression 1 114 essential jazz chord progressions

    A chord progression is a succession of musical chords (with at least two notes) played one after another. Chord progression can be named harmonic progression and represent the foundation of western and traditional music. Because many jazz standards use similar chord progressions, in different keys it is very important to recognize them by ear and visually. By working and practicing basic chord sequences you will feel more comfortable when you will need to learn jazz standards,  it will more evident and easy to comp and solo.

    In this lesson you will learn to recognize the 14 most important jazz chord progressions as minor and major II-V-I, the turnarounds and their variations, how to use passing diminished chords. You will find charts with roman numerals to easily transpose these harmonic progressions in different keys and some examples of comping with audio files, tabs and standard notation.

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  • Barry Galbraith jazz guitar study - Like someone - Guitar comping video with bass lines

    Like someoneA new video has been uploaded on the youtube channel. It is a Barry Galbraith comping study named "Like someone". This is the last study from the Barry Galbraith book "Jazz guitar comping series, vol #3" published by Jamey Aebersold. Most of the accompaniments studies (comps) in this book are designed to accompany a melody or an improvised solo with bass lines like a pianist would do. It is a very great book to practice jazz guitar comping.

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  • How to play major triads on the guitar - Close and open voicings

    Drop 2 major chord bass on string 5 3A major chord is built with three notes namely root (1), major third (3) and fifth (5). These three tones represent the structure of the major chord. The same holds true for minor, diminished and augmented chords. In this guitar lesson you will learn how to develop a major chord in closed and open triad voicings (also known as spread voicings). 

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  • New eBook available | 50 exercises for jazz guitar | II-V-I voicings

    II-V-I voicings for jazz guitarA new eBook is available for download. It contains 50 exercises with guitar tabs and standard music notation that will show you how to use different types of voicings over a II-V-I progression. This PDF eBook will help you to understand how the main jazz guitar chords are built (minor 7, major 7, dominant 7, diminished 7, half-diminished, augmented, 7b5, drop 2, drop 3, inverted, altered, extended and rootless chords) and how to apply chord substitutions (diatonic sub, tritone sub and diminished substitutions).

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  • Jazz Up Basic Guitar Chords - Jazz guitar lesson for beginners

    Jazz up your chord - Jazz guitar lessonGenerally, when a beginner start to learn to play guitar, he tackles open chords (up the guitar neck), those found in many popular songs. Then, come the bar chords (major, minor, dominant 7) a little hard to master. But all these chords do not have a very interesting sound and are not mostly used in jazz music. That's why in this lesson for jazz beginners we will take the main basic guitar bar chords to transform and enrich them so that their sonority is richer, exciting and better suited to jazz concept.

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  • Tritone chord substitution - Jazz guitar lesson

    Tritone chord substitutionOne of the most popular jazz chord substitution is the tritone substitution sometimes referred to as the dominant chord substitution. The most used is to replace the V with a dominant 7th chord whose root is a tritone below. Example with G7 (V), which can be replaced by Db7 a tritone (Three whole-steps) away. Thus giving two chords that have two notes in common. The 7th of G7 (F) is the third of Db7 and the third of G7 (B) is the seventh of Db7. The inversion of the 3rds and the 7ths between the original dominant chord (V) and the substituted dominant chord (bII7) is the main feature of the tritone substitution. 

    Tritone substitution

    If the most common tritone substitution involves two dominant chords, there are other chords that can be substituted as the vi chord, the ii chord, and the iii chord. You can substitute any chord which has its roots the flat fifth of the original chord. The type of chord used depends on the melody and the desired harmony. The tritone substitution can also change qualities from the chord it is substituting. Provided that the melody indicates no strong preferences for chord type. For example, dom7 chords can be played in place of minors. This could be subject of another lesson. Meanwhile this article is focused on dominant seventh tritone substitutions.

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  • Extended major 7th chords | Guitar diagrams & voicings | Cmaj9, Cmaj#11, Cmaj13

    Major 7th chord extensionsIf the basic sound of jazz is based on tetrad chords (four-note chords), it is common to extend them with other tones. These other notes forms the upper structure of a chord which includes 9th, 11th and 13th. Adding extensions to chords help to get off the beaten tracks and provides some new harmonic colors to your playing (chord soloing, comping, and arrangement). This lesson provides you useful extended major 7th chord shapes to apply to your playing.

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  • NEW PDF eBook available | 11 blues-jazz progressions for guitar | Chords and comping studies

    11 blues jazz progression for jazz guitar - Pdf eBookA new printable PDF eBook is available. It's about 11 blues progressions for jazz guitar with tabs, analysis (with roman numerals), explanations and audio files, divided into four chapters :

    1- Blues progressions and variations
    2- Chord studies
    3- Guitar walking-bass studies
    4 -Rhythm patterns



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  • So what chord - Jazz rhythm guitar lesson - Modal comping

    So what chord - Guitar lessonThe origin of the "so what chord" name would be due to its use by the jazz pianist Bill Evans in the modal tune "So what" by Miles Davis. This is is a cool and modern sounding chord voicing often used as an alternative to quartal voicings. It is built with a fourth chord on the bottom (3 perfect fourths stacked) and a major third added on the top. This particular chord was originally played on a piano, but it is quite interesting to play it on the guitar to support rhythmically and harmonically a soloist over a modal tune.

    This jazz guitar rhythm lesson with tabs and diagrams provides you some interesting ideas of comping inspired by McCoy Tyner's playing on "impressions" by John Coltrane. 

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  • Jazz guitar chord lesson - There will never be another you - TABS & JPG

    There will never be another you - Guitar chord study"There Will Never Be Another You" is a popular song by Harry Warren (music) and Mack Gordon (lyrics). It is one of the most known jazz standards and an indispensable study for any jazz guitarist. This jazz guitar comping lesson provides you different chord voicings (drop 2, inverted, rootless and extended chords) on the top four strings of the guitar to comp over this jazz tune. By the way, it will also give you some new ideas to support harmonically a soloist. Indeed, you may even try to apply these chord voicings to the tunes you are used to play.

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  • Chords in fourths - Quartal harmony - So what chord

    Quartal harmony - Chords in fourthsTo enrich and modernize the harmonization of a piece it is common to use fourth chords. They can replace some original chords to bring more melodic freedom into improvisation and more tension in harmony. Since the late 1950s, harmony in fourths has played a very important role in the development of modern jazz. Musicians and composers have used a lot the quartal harmony. Among them, the great American pianist McCoy Tyner, who is a master in the art of playing quartal chords. Mike Stern, Herbie Hancock, Chick Corea, Bill Evans and Kurt Rosewinkel have also used this technique. In this lesson we will see how to build chords in fourths, how to harmonize the major scale with and how to use them in comping. 

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  • How to harmonize the major scale in thirds

    How to harmonize the major scaleOne of the fundamental theoretical elements to understand music is the harmonization of the major scale. Harmonizing scale is building chords with notes. For this, you have to stack thirds (It is also possible to harmonize the major scale in fourths). If you are wondering why thirds and not seconds or sixths for example, the reason is mainly historical: our music today is based on harmony in thirds. Once you have read this lesson, you will be able to find the tonality of a song simply by looking at its chords, you will know which scale to play on which chord progressions.

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