1- Blues progressions and variations
2- Chord studies
3- Guitar walking-bass studies
4 -Rhythm patterns
The origin of the "so what chord" name would be due to its use by the jazz pianist Bill Evans in the modal tune "So what" by Miles Davis. This is is a cool and modern sounding chord voicing often used as an alternative to quartal voicings. It is built with a fourth chord on the bottom (3 perfect fourths stacked) and a major third added on the top. This particular chord was originally played on a piano, but it is quite interesting to play it on the guitar to support rhythmically and harmonically a soloist over a modal tune.
This jazz guitar rhythm lesson with tabs and diagrams provides you some interesting ideas of comping inspired by McCoy Tyner's playing on "impressions" by John Coltrane.
"There Will Never Be Another You" is a popular song by Harry Warren (music) and Mack Gordon (lyrics). It is one of the most known jazz standards and an indispensable study for any jazz guitarist. This jazz guitar comping lesson provides you different chord positions (drop 2, inverted, rootless and extended chords) on the top four strings of the guitar to comp over this jazz tune. By the way, it will also give you some new ideas to support harmonically a soloist. Indeed, you may even try to apply these chord voicings to the tunes you are used to play.
To enrich and modernize the harmonization of a piece it is common to use fourth chords. They can replace some original chords to bring more melodic freedom into improvisation and more tension in harmony. Since the late 1950s, harmony in fourths has played a very important role in the development of modern jazz. Musicians and composers have used a lot the quartal harmony. Among them, the great American pianist McCoy Tyner, who is a master in the art of playing quartal chords. Mike Stern, Herbie Hancock, Chick Corea, Bill Evans and Kurt Rosewinkel have also used this technique. In this lesson we will see how to build chords in fourths, how to harmonize the major scale with and how to use them in comping.
One of the fundamental theoretical elements to understand music is the harmonization of the major scale. Harmonizing scale is building chords with notes. For this, you have to stack thirds (It is also possible to harmonize the major scale in fourths). If you are wondering why thirds and not seconds or sixths for example, the reason is mainly historical: our music today is based on harmony in thirds. Once you have read this lesson, you will be able to find the tonality of a song simply by looking at its chords, you will know which scale to play on which chord progressions.
What are chord formulas ? Chord formulas show all the notes which constitute a chord. They reveal the structure of chords. Knowing them will make your guitar playing more interesting. It allows you to make the link between scales, arpeggios and chords. You will be able to build your own chords, to find any chord position on the guitar when you only have the name of a chord, to make the difference between major, minor or diminished chords, to turn quickly a chord into any variation. Learning chord formulas is necessary for anyone who wants to expand its musical knowledge. Here is a chart that lists the main chord formulas.
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