Blog - Jazz Guitar Lessons
Welcome to the blog of jazz-guitar-licks.com,
This blog covers different subjects and contains several useful lessons both for beginners, intermediates and advanced jazz guitar players.
Whether you're looking for tips on playing jazz guitar, this blog surely has the information you crave and will help you expand your music knowledge and technical skills.
You will find here tutorials grouped into several distinct categories (Jazz Guitar Lessons, Licks and Transcriptions, Scales and Arpeggios, Chords, Jazz Standards, Music Theory, Guitar Practice Tips, Guitar Gear Reviews, Music Production, Music Reviews, Uncategorized, Guest Posts) as shown in the menu on the right.
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Dominant 7 chords are one of the most important chords to know, they can be found in many styles of music as blues, funk, pop and of course in jazz music. In this lesson we will see how dominant 7 chords are built and how to play them on guitar using 36 different voicings and shapes.
In this lesson we will see how to harmonize the melodic minor scale in thirds with seventh chords. In other words we will see how to build seventh chords by stacking thirds from each degree of the melodic minor scale.
Dominant 7 flat ninth chords (7b9) are generally related to the fifth mode of the harmonic minor scale known as Phrygian dominant scale, which makes it the most obvious choice for improvising over 7b9 chords. However, we will see in this article that there are many other options.
This lesson contains five free guitar studies for beginners that outline the use of arpeggios over a Bb jazz blues progression. There are different kinds of jazz blues progressions. The one that is used in this eBook is built with a secondary dominant (VI7), a passing diminished (#IVdim7) and a turnaround (I7, VI7, iim7, V7).
Bb7 G7 (b9)
This page lists the eBooks available for download on the website. All theses methods are in PDF format, so they can be printed and viewed on all types of media systems (tablets, smartphones and computers).
Joe's blues is a 12-bar blues taken from one of the many Joe Pass methods named "Joe Pass on Guitar". This lesson covers the first 24 bars of the original lesson. If you listen to the audio file provided with the book you can hear that there are a lot of mistakes in the transcription. That's why I have decided to transcribe those lines directly from what I heard.
Pentatonic scales are scales with five notes per octave. They are frequently used in music all over the world. The word "pentatonic" comes from the Greek word "pente" meaning five and "tonic" meaning tone.
Talk of "the" pentatonic scale generally make reference to the major pentatonic scale and its relative minor. It's a mistake, indeed there are many types of pentatonic scales (Egyptian, Ritusen, Man gong, Altered, Locrian...).
Pentatonic scales are considered earlier than heptatonic scales (seven-note scales) and can be divided into two categories :
- Containing semitones (hemitonic)
- Without semitones (anhemitonic)
The purpose of this post is to propose some tips and ideas for practicing and develop pentatonic scales.
What's a Major Scale?
A major scale is a scale containing a major third (3) and a major seventh (7). There must be four half-steps between the root and the major third and one half-step between the major seventh and the root. The most known is the major scale spelled 1 - 2 - 3 - 4 - 5 - 6 - 7.
What Are the Twelve Types of Major Scales?
When we think about major scales, the first that comes to mind is the Ionian mode, best know as THE major scale. However, there are several other types of major scales (Ionian #5, Lydian augmented #2, Ionian b6) which deserve a little more attention. Here they are listed with guitar shapes and formulas.
This blog article is related to the video tutorial published on JGL YouTube channel. It contains 10 II V7 jazz bebop guitar patterns with analysis and scale shapes. These lines come from the first chapter of David Baker's book "How To Play Bebop Vol.2 - Learning the bebop language". They correspond to the first ten exercises of the section named "The Use of The II V7 Progression in Bebop".
You 'll find in this lesson a quick analysis of each pattern with scale diagrams (Dorian, Dorian bebop, Mixolydian, dominant bebop, Mixolydian b13, altered, mixo-blues and half-whole diminished).
What Are Dominant 7 Arpeggios?
Dominant 7 arpeggios are built with root (1), major third (3), perfect fifth (5) and minor seventh (b7). They are basically used to play over dominant 7 chords.
Dominant 7 Arpeggio 1 3 5 b7 G7 G B D F
"Solar" is a jazz standard written by Miles Davis in the key of C minor with four tonal centers that are : C minor, F major, Eb major and Db major. Solar contains essential chord progressions as major and minor II V I. This lesson provides a short harmonic analysis and a chord melody arrangement for guitar with tabs, standard notation, chord shapes and audio file.
You will find here a free cheet sheat about major 7 arpeggios. This quick guitar lesson provides a brief description of major 7 arpeggios including neck diagrams and formula charts. This document is available in three versions : PDF (for printing), JPEG and PNG for on-line publication.
This free printable PDF files contains 6 easy guitar licks with tab, standard notation and anlysis for a better understanding of the tritone substitution.
What's a Tritone Substitution?
The tritone substitution is one of the most common substitution found in jazz. The basic application of a tritone chord substitution is to take any 7th chord and play another 7th chord that has its root a tritone away from the original. This guitar lesson demonstrates how you can play scales and arpeggios starting from the b5 (a tritone away) of the V7 chord in a II V I chord progression. This way you will highlight altered tones as the b9 and the #11.
What's Octave Playing?
Octave playing is a big part of jazz guitar language, this technique has been popularized by guitarist Wes Montgomery one of the greatest improvisers and jazz genious of all times. Theoretically, the principle is quite easy to understand. You just have to play lines using two simultaneaous notes separated by twelve semitones. In practice, it is more difficult because of the fingerings. Indeed, you have to move two fingers at the same time while keeping the same hand position. This lesson provides guitar diagrams and easy guitar lines for a good mastery of this technique.