Posts by jazz-guitar-licks
- Stef Ramin
- Guitar teacher, author & composer, webmaster.
What's Octave Playing?
Octave playing is a big part of jazz guitar language, this technique has been popularized by guitarist Wes Montgomery one of the greatest improvisers and jazz genious of all times. Theoretically, the principle is quite easy to understand. You just have to play lines using two simultaneaous notes separated by twelve semitones. In practice, it is more difficult because of the fingerings. Indeed, you have to move two fingers at the same time while keeping the same hand position. This lesson provides guitar diagrams and easy guitar lines for a good mastery of this technique.
Locrian Mode Cheat Sheet For Guitar
The Locrian mode is the seventh mode of the major scale. It has a particular sound because of the b2, b3, b5, b6 and b7. It is probably the least used and the most misunderstood of all of the modes of the major scale. The Locrian mode is usually played over minor seventh flat ninth chords (m7b5).
The Aeolian mode is built with : root (1), minor second (b2), minor third (b3), perfect fourth (4), diminished fifth (b5), minor sixth (b6) and minor seventh (b7).
locrian-mode-guitar-cheat-sheet.pdf (145.18 Ko)
Aeolian Mode Cheat Sheet
The Aeolian mode (also called "natural minor scale" or "relative minor scale) is the sixth mode of the major scale, it is known as a relative minor to the ionian mode. It is a minor scale containing a minor third (b3), a minor seventh (b7) and a minor sixth (b6).
The Aeolian mode is built with : root (1), second (2), minor third (b3), perfect fourth (4), perfect fifth (5), minor sixth (b6) and minor seventh (b7).
aeolian-mode-cheat-sheet-for-guitarist.pdf (137.92 Ko)
Mixolydian Scale Guitar Cheat Sheet - PDF / JPEG
The Mixolydian mode, also called dominant scale is the fifth mode of the major scale. It is a major type scale. This is the mode to know when you want to play over dominant chords (not altered). The Mixolydian mode is widely used in jazz and blues music and one of the most important to master.
The Mixolydian mode is built with : root (1), second (2), third (3), perfect fourth (4), perfect fifth (5), sixth (6) and minor seventh (b7).
mixolydian-mode-sheet-cheat-for-guitar.pdf (134.74 Ko)
Lydian Mode Cheat Sheet
The Lydian mode is the fourth mode of the major scale. It is a major type scale very used to play over major chords. It gets interesting when it is played over a major chord, indeed it brings a little bit of tension because of the raised fourth / raised eleventh (#11).
The Lydian mode is built with : root (1), second (2), third (3), augmented fourth (#4), perfect fifth (5), sixth (6) and seventh (7).
lydian-mode-cheat-sheet.pdf (130.63 Ko)
Printable Phrygian Cheat Sheet
The Phrygian mode is the third mode of the major scale. It is one of the three minor modes of the major scale. The Phrygian mode is a minor type scale, indeed it contains a b3. It can be played over minor chords but it is rarely used because of the b2 scale tone.
The Phrygian mode interval pattern is : root (1), minor second (b2), minor third (b3), fourth (4), perfect fifth (5), minor sixth (b6) and minor seventh (b7).
phrygian-mode-cheat-sheet-for-guitar.pdf (138.44 Ko)
Printable PDF / JPEG Dorian Mode Cheat Sheet
The Dorian mode is the second of the seven musical modes.It is a minor type scale because of its minor third (b3), often the first choice to play over minor chords and one of the most important scales to know.
The Dorian mode is built with a root (1), a second (2), minor third (b3), fourth (4), perfect fifth (5), sixth (6) and minor seventh (b7).
dorian-mode-sheet-cheat-for-guitar.pdf (131.29 Ko)
Printable PDF / JPEG Ionian Mode Cheat Sheet
The Ionian mode (aka major scale) is the first of the seven musical modes. The other Greek modes are Dorian, Phrygian, Lydian, Mixolydian, Aeolian and Locrian modes. The Ionian mode has exactly the same notes as the major scale and surely the first scale to learn for a beginner musician.
The major scale consists of a root (1), second (2), major third (3), fourth (4), fifth (5), sixth (6) and major seventh (7).
major-scale-sheet-cheat.pdf (138.61 Ko)
Octave playing technique involves playing the same note on two strings separate by one octave. An octave is 12 semitones higher than the root note. You will find in this blog post a new video from the YouTube Channel, containing 10 dominant octave licks with tabs and standard notation overlayed.
What's An Inverted Chord?
The notes of a chord whether it is a triad (containing just three notes) or a tetrad (built with four notes) can be reshuffled in different order. The name of the chord will still remain the same, but the bass will not necessarily the root note. This is the lowest note (the bass note) that determines the name of the inverted chord. So, chord inversion simply refers to which note is in the bass. You will find here some example for a better understanding of what are inverted chords.
One note samba is a song composed by Antonio Carlos Jobim. The title refers to the main melody of the song, which consists of a serie of identical notes (F and Bb in this arrangement for guitar) with a syncopated rhythm typical of bossa nova and a number of chords typical of this genre.
When learning how to play jazz guitar, one of the most important device to master is to play each tone of a chord in order to outline a specific progression. This is what we call arpeggios. They are great melodic tools when you want to highlight the chords you are soloing over.
This article is focused on diatonic seventh arpeggios and their extensions. In a first time, before applying these extensions, it is recommended to have a very strong knowledge of the triads, both the chords and the arpeggios.
The minor blues scale is mostly referred to as the minor pentatonic scale with a b5 thus giving the interval pattern 1 - b3 - 4 - b5 - 5 - b7. However, few musicians know that there are three types of minor blues scales depending on wether you incorporate the flat fifth (b5), the major third (3) or the major seventh (7) to the minor pentatonic scale. In this lesson you will learn how to build, play and recognize each of these three minor blues scales.
Major 6 and minor 6 arpeggio shapes with chord diagrams.
Triads are one of the first harmonic tools to study. They are very useful for comping and chordal enrichment. Learning close and open triad voicings increase your harmonic knowledge and at the same time help you discover your fretboard. In this lesson you will see the main triad chord shapes including root positions and inversions. You will also find some ideas on how to use triads over a II V I sequence, in order to create interesting melodic movement in your comping.