dominant 7th guitar licks
Kenneth Earl "Kenny" Burrell (July 31, 1931) is an American jazz guitarist from Detroit. With Wes Montgomery and Charlie Christian he is one of the most influential jazz guitarist, epitome of good taste and unique swing. His guitar sound is clear, refined and raw, easy to recognize. His guitar playing is unique, grounded in bebop and blues, the man is able to play both blues licks and swinging bebop lines.
He has collaborated with many artists as sideman (Dizzy Gillespie, "Jimmy Hammond" Smith, Billy Holiday, Milt Jackson, Stanley Turrentine, Stan Getz, Chet Baker, The Jones Brothers...) and recorded many solo albums including the famous "Midnight blue" (Blue note, 1963).
He has played Gibson guitars (ES-175, super 400) for the majority of is career plugged into a Fender deluxe amp.
How smooth can jazz guitar get ? Right here is the answer. Midnight Blue (released in 1963 by blue note records and recorded by Rudy Van Gelder) is one of those records that you just put on, sit back and relaxis. In this album Kenny Burrell is accompanied by the tenor-saxophonist Stanley Turrentine in a pianoless quintet that also includes Ray Barretto on congas (a highly regarded bandleader in his own right who injects a dash of Latin flavor), Major Holley on bass and Bill English on drums. Midnight blue is considered one of the best recordings of Kenny Burrell's career.
- Chitlins Con Carne (5:25)
- Mule (6:53)
- Soul Lament (2:39)
- Midnight Blue (3:59)
- Wavy Gravy (5:43)
- Gee Baby, Ain’t I Good To You (4:21)
- Saturday Night Blues (6:13)
- Kenny’s Sound (4:39)
- K Twist (3:35)
This album is very useful for basic call-and-response type blues phrasing, recommend for anyone trying to learn playing jazz blues on guitar.