Mastering Triads on the guitar is necessary for any guitarist who wants to expand is fretboard and theory knowledge. These chords are not really considered as jazz chords because of their basic sound, but they can be efficient tools for comping and chord soloing. Indeed, the strong point of these chords is the simplicity of learning and playing. You will find in this lesson 48 positions to play major, minor , diminished and augmented triad chords on the guitar.
A new printable PDF eBook dedicated to soul jazz guitar licks is now available for download.
Soul jazz (sometimes called "jazz-funk) is a form of jazz commonly associated with hard bop. It has strong influences from blues, rhythm & blues and gospel. You can also go listen to Lou Donaldson, Big John Patton, Jimmy "Hammond" Smith, to soak up this style.
All these licks are two bars licks in the key of Bb7 and inspired by great guitarists as Grant Green, Melvin sparks, Wes Montgomery or Kenny Burrell. They are essentially built with notes from the minor, major pentatonic and minor blues scale.
As usual each lick is analysed and accompanied by a quality audio file. A backing track is also included in the package.
Why all these licks are in the same key ?
To simplify learning, it's easier to memorize them, then you can make the connection between each lick to built longer guitar solos. Once you have learnt these licks, the aim is to play them in different keys, add notes and fret hand techniques (bends, hammer-on, pull-off, slides) vary the rhythm...
Package details :
- 1 printable PDF eBook with 25 soul jazz guitar licks in Bb7 with tabs, scales charts, guitar fretboard diagrams (5 boxes for each scales) and analysis.
- 1 soul jazz backing track (Quality mp3 audio file).
- 25 soul jazz guitar licks audio files (Quality mp3 audio files).
Here is the fouth part of the bebop scales section. This is about the locrian bebop scale. This scale has the same notes as the locrian mode including a passing tone (5) between the flat five (b5) and the minor sixth (b6). It is commonly played over half diminished (m7b5) chords (in a minor 2-5-1 sequence for example)
You will find guitar fretboard diagrams and a minor II-V-I lick using the locrian bebop scale in the locrian bebop scale page.
Related lessons /
Here is the third part of the bebop scales section. It's about the major bebop scale. This scale has the same notes as the major scale (ionian mode) incuding a passing tone (#5) between the fifth and the sixth, indeed there is eight notes in it.
Here are some guitar fretboard diagrams to master this scale. You will also find an example lick in the same page.
Hi there, here is a new page about the dominant bebop scale widely used in jazz music. It 's an octotonic scale (eight notes), it has the same notes as the mixolydian mode including a passing tone (major seventh) between the minor seventh (b7) and the root.
Before learning the bebop dominant scale it is recommanded to master the mixolydian mode, here are some guitar diagrams and suggested fingerings about the mixolydian scale.
The bebop dominant scale is commonly played over dominant 7th chords. You will find here some guitar fetboard diagrams and suggested fingerings about this bebop scale and some free licks with MP3 files at the end of the page.
Thanks for sharing and promote this website.
An arpeggio is a chord whose notes are played one at a time, it is a chord played like a scale. Arpeggios are quite easy to learn and mostly played in jazz and western music. It helps you to create fluid and clear lines over specific chords. Any jazz guitarist have to master this technique. Now it's time to take stock of the main arpeggios guitar positions and make the difference between them.
Here are the five main arpeggios with guitar fretboard diagrams and fingerings.
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