In this brief jazz guitar tutorial you will learn how to use three important jazz scales (Dominant Bebop, Dorian Bebop and Chromatic) and also a diminished 7 arpeggio over ii V chord sequences. Short video and free printable PDF available.
Lesson By George Dafnos
This video lesson focuses on a jazz concept created by Barry Harris called "The Chromatic Scale", which is to connect whole steps and half steps with chromaticisms. You will learn how to play the chromatic scale ascending and descending and also hear the related thirds, triads and seventh chords. This technique will be discussed more in details in a future blog article, meanwhile you can also watch Nathan Borton's video to learn more about the construction of this scale.
This blog article is related to the video tutorial published on JGL YouTube channel. It contains 10 II V7 jazz bebop guitar patterns with analysis and scale shapes.
These lines come from the first chapter of David Baker's book "How To Play Bebop Vol.2 - Learning the bebop language". They correspond to the first ten exercises of the section named "The Use of The II V7 Progression in Bebop".
You 'll find in this lesson a quick analysis of each pattern with scale diagrams (Dorian, Dorian bebop, Mixolydian, dominant bebop, Mixolydian b13, altered, mixo-blues and half-whole diminished).