You are a writer/blogger, a music teacher, a sound engineer interested in writing a guest post for jazz-guitar-licks.com ? Very nice ! All guest posts include an author bio with a signature link at the end of your article.
Rules and guidelines for guest posts:
- You are welcome to write about a variety of musical topics as instruments and gear reviews, top 10 lists, practice tips, free lessons (piano, guitar, bass and other instruments) for beginners and advanced players.
- Articles must be between 500-1200 words in length.
- Your content must be helpful and informative.
- Have an introduction that attracts interest and makes the reader want to read further.
- Eventually use headings, subheadings, bold font for key sentences and bulleted lists so it is easy to read.
- Have a conclusion.
- Carefully edit and proofread your post.
- If your post includes images, send them to us as attachments, indicating where in the text they should be located.
- You may include a photo, a short bio, and a single link back to a URL of your choosing at the end of the article.
- You may link externally to other relevant content that you do not own and have not written.
- Only unpublished (original and unique) articles are accepted. Please do not submit an article that is already published somewhere else.
- After i have published your article on my website, you can not publish it anywhere else, in that case your post will be deleted. In the eyes of google this action will penalize us both for duplicate content.
- You may not place affiliate links into your guest post.
- Do not violate any copyright laws.
- If your post is relevant i will share it with my followers and subscribers (facebook, twitter...)
How to submit a post
If you’d like to write a one-off guest post on jazz-guitar-licks.com please contact me using the contact form respecting the following points :
- Tell me briefly who you are.
- State the title of your proposed post.
- Send me 1 or 2 links to other articles that you have written before.
Remember that unlike some other websites, writing for jazz-guitar-licks.com is totally free.
Thanks for your interest
Giant Steps is one of those tunes in jazz that sends a bolt of fear through a lot of young or even experienced jazz musicians. It certainly does that to me anyway! The fast harmonic rhythm and the seemingly distant relationships between the chords means it is a very daunting challenge.
However, there is a very cool and simple way of practicing navigating through these changes and it involves using 3 different pentatonic scales.
Learning and playing scales can be an important part of any guitarist’s practise regime. By playing scales in a variety of ways we can develop our familiarity with the fretboard beyond simply going up and down scales. In this tutorial we will look at combining two different scale patterns by shifting between them on various strings. For this we are going to use two patterns of an Eb Melodic minor scale, patterns 2 and 3. The Melodic minor scale consists of the intervals R 2 b3 4 5 6 7 (R is for the Root note).
Why Jazz Guitarists Should Study The CAGED Method
When I first joined my high school jazz band, it was a humbling experience. I knew my major scales and modes, but only with the roots on the E and/or A string. This worked fine for playing pop music, but the way jazz progressions were always changing chords with each measure, my hands were constantly getting lost. If I was playing a C major line in eighth position, how did I switch to a Bb mixolydian scale without jumping my hand up or down and making the improvisational idea totally disjointed ? I could never understand how jazz guitarists could keep their ideas going as the chords changed from moment to moment. And how did players like Joe Pass know how to run an improvised line right into a chord voicing? Additionally, as I progressed to the higher registers of the guitar, I could never tell where I was in the scale anymore. It seemed impossible!
The music of Thelonious Monk is music which evokes many different emotions and ideas in a huge demographic of musicians and instrumentalists. With that in mind, the emotions and ideas evoked by legendary jazz guitarist, Peter Bernstein, in this showcase album range from childish playfulness, faithful to the source of the music, to coherent and thorough modern jazz playing in the upper echelons of technical and interactive ability.
It’s been noted previously in reviews, at the time of the album’s release, that a collection of Monk tunes by a guitarist is a rare occurrence that was a huge breath of fresh air to all those who knew about its existence. I’ve never heard such faithful music made with such individualism and taste without any sense imitation. This is most definitely Bernstein plays Monk and not the other way around.
Taking care of your equipment is essential.
Guest post by Glen Parry
Whether it’s your car, PC, or your guitar, in order for it to work properly and as for long as possible, you need to make sure that everything’s in order. Sure, you could take your guitar to a professional and have them do it for you, but why not learn to do it yourself? Not only will you save money and time, but you will also learn a thing or two about your instrument. Here are some quick and straightforward tips that will make setting up your guitar a piece of cake!
Guest post by Aaron Schulman
While there is no absolute best jazz guitar for everyone, there are definitely a few jazz guitar models that would be a best fit for you. The trick is to learn enough about the different body styles and electronics to understand the sonic qualities that each jazz guitar expresses. You’ll want to educate yourself both on the different jazz guitar body styles and manufacturers. The more homework you do, the more your understanding will grow and the more confident you will be in your final purchase decision.
Guest post by Marc-Andre Seguin
So, you've decided to try your hand at Jazz guitar. This article will assume a certain base level of proficiency in the general language of music apart from the specific vernacular that informs jazz music, guitarists specifically. Not because it's a theory article, but because if you hope to learn how to play this music (and any style, really) a little knowledge goes a long way. If you have no background in notated music, theory and harmony please pick up Barbara Wharram's Theory For Beginners. It will open the door.
The health of your guitar depends on how you clean and condition it. Some guitars were damaged permanently due to neglect. Your guitar will lose its value and become useless if you will not give the proper care. Some guitar owners are having a hard time cleaning and conditioning their guitar due to lack of knowledge.
In this post, we will prove to you that taking care of your guitar is not hard at all. To help you with it below are 7 easy steps on how to clean a guitar fretboard. The bridge and fretboard are the two important components of the guitar require conditioning, cleaning and humidifying.
This is vital because they are usually made of untreated or unfinished wood. Except for maple fretboards which already have finished and require minimal cleaning.
What you need:
- Soft cloth or old T-shirt
- Guitar polish
- Glass cleaner
- Pure Carnauba Wax
- Tool to remove strings