Blog - Jazz Guitar Lessons

Welcome to the blog of jazz-guitar-licks.com

This blog covers different topics and contains several useful lessons both for beginners, intermediates and advanced jazz guitar players.

Whether you're looking for tips on playing jazz guitar, this blog surely has the information you crave and will help you expand your music knowledge and technical skills.

You will find here tutorials grouped into several distinct categories:

Jazz Guitar Lessons

Jazz Guitar Licks and Transcriptions

Scales and Arpeggios

Chords

Jazz Standards

Music Theory

Guitar Practice Tips

Teacher Spotlight - Jazz Guitar Lessons

Cheat Sheets, Methods, Posters, eBooks

Infographics

Music Gear Reviews

Music Reviews

Backing Tracks

Uncategorized

Guest Posts

The content is regularly updated so don't hesitate to subscribe to the newsletter to receive the latest posts.

  • 84 Triad Chords | Guitar Diagrams | Open and Close Voicings | Root Positions & Inversions

    Mastering triads is necessary for any guitarist who wants to expand his fretboard and theory knowledge.

    These chords are not really considered as jazz chords because of their basic sound, but they can be efficient tools for comping and chord soloing. Indeed, the strong point of these chords is the simplicity of learning and playing.

    You will find in this guitar lesson 84 ways of playing triads (major, minor, diminished and augmented) using root and inverted voicings in close and open positions.

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  • Chord Formula Chart - How Chords Are Built - Music Theory

    How Chords Are Built?

    Chord formulas show all the notes which constitute a chord. They reveal their structure and provide a link between scales and arpeggios.

    Why Learning Chord Formulas

    Knowing the structure of chords will help you find any chord position on the guitar when you only have the name. This will help you better understand the difference between many types of chords.

    Learning chord formulas is necessary for anyone who wants to expand their musical knowledge and increase their guitar playing skills.

    The formula chart below show how the main types of chords are built.

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  • 21 Jazz guitar licks with tabs on youtube

    A new video has just been uploaded on the youtube channel. This lesson contains the 21 most recent jazz guitar licks & transcriptions posted on the channel. 

    Here is the summary :

    1. 10 Kenny Burrell licks
    2. II-V7alt-I lick 
    3. Clifford Brown solo transcription 
    4. Eric Gale solo transcription 
    5. Grant Green airegin solo transcription 
    6. Duet in F - Berklee 
    7. John Scofield Wee #1 
    8. John Scofield Wee #2 
    9. John Scofield Wee #3 
    10. Dominant 7th lick 
    11. Soul jazz lick 
    12. Jazz blues lick 

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  • How To Play Altered Jazz Guitar Lines Using a Major Triad

    When you want to play altered jazz guitar lines over a dominant 7th chord, there is an easy and efficient option that is to play a major triad starting on the #11 of the chord you want to improvise over. This way you highlight the b7, #11 and b9 and add tension to your playing.

    Let's take an example with a II-V-I sequence in the key of C major. The progression is Dm7 | G7alt | CMaj7.

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  • How To Practice Scales On Guitar

    You'll find in this lesson some tips and trick for practicing scales, enrich and develop your playing or simply warming-up before a gig. 

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  • 10 Jazz Guitar Solo Transcriptions With Tabs on YouTube

    A new video is online on the youtube channel since yesterday. This is a compilation of the best jazz guitar solo transcriptions posted on the youtube channel since one year. This video lesson contains transcriptions of great jazzmen as John Scofield, Charlie Christian, Grant Green, Wes Montgomery, Eric Gale. Here is the timeline:

    Charlie Christian ( Benny's buggle) 00:00
    Clifford Brown (Jordu) 01:23
    Eric Gale (Too blue) 02:22
    Grant Green (Grantstand) 02:59
    Grant Green (Airegin) 04:00
    Grant Green (N°1 Green street) 05:17
    Jimmy Raney (Have you met miss Jones) 07:26
    John Scofield (Wee) 07:56
    Wes Montgomery (Full house) 08:50
    Wes Montgomery (Full house) 09:42

  • Jazz Trumpet Solo Transcription For Guitar - Clifford Brown - Jordu

    Clifford Brown jazz trumpet solo transcription for guitarBe jazz guitarist does not mean that you have to play only guitarist's solos. It's very important to transcribe lines of other instruments like sax, trumpet or piano for example. This way you will change your habits and you will play some jazz lines that maybe you would never have played before. 

    This lesson is about a Clifford Brown trumpet solo transcription in "Jordu". Clifford Brown was an American songwriter and jazz trumpet player.  He composed two jazz pieces which have become standards, "Joy spring" and "Daahoud". He has collaborated with jazz players as Art Blakey and Lionel Hampton before forming his own group with the drummer, percussionist and composer Max Roach. 

    Jordu is a jazz standard written by Irvin "Duke" Jordan. He has been popularised by Clifford Brown and Max Roach quintet in the album that includes the two standards "Joy spring" and "Daahoud" .This is an AABA traditional jazz form in the key of C minor. Referring to the realbook the chord progression is :

    A

    D7 G7 | Cm | F7 Bb7 | EbM7

    D7 G7 | Cm | Ab7 | G7

    B

    G7  C7 | F7 Bb7 | Eb7 Ab7 | Db7

    F7 Bb7 | Eb7 Ab7 | Db7 Gb7 | G7

    The transcription is focused on the A part only. This will allow you to understand how to improvise and which scale to play over two interesting jazz progressions :

    • II7-V7-Im sequence (D7-G7-Cm) which is a minor II-V-I with a dominant 7th (V7) chord instead of the usual minor seventh flat ninth chord (II).
    • II7-V7-IM sequence which is a major II-V-I with a dominant seventh (II7) chord instead of a minor seventh chord (II).

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  • NEW PDF eBook Available for Download - 40 Blues, Jazz Guitar Licks With Tabs

    40 dominant blues jazz patterns for guitar eBook PDFDownload

    A new PDF eBook is now available for download via the GUMROAD / PAYPAL interface. This jazz method contains 40 jazz, blues licks with tabs, scales charts and two jazz swing backing track in C7.

    This PDF booklet is dedicated to the jazz guitar students who wants to improve their jazz, blues playing in the style of Wes Montgomery, Kenny Burrell, Grant Green, Charlie Christian, George Benson, Barney Kessel and more.

    Package details :

    • 1 printable PDF booklet containing 40 jazz blues guitar licks in C7 with tabs and scales charts.
    •  2 blues jazz swing (one chord C7) backing tracks (120 & 150 BPM) - (Quality mp3 audio file).

    MORE INFORMATION HERE 

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  • 12 Scales To Play Over A Dominant 7th Chord

    The first thing to do before starting exploring the twelve different scales shown in this lesson is to understand how to build a basic dominant 7th chord and what its role is.

    What's a Dominant 7 Chord?

    A Dominant 7th chord is made up of a root / tonic (1), a major third (3), a perfect fifth (5) and minor seventh (b7). It is one of the most versatile chords. It is considered as a major chord because of the major third (3).

    Indeed, the 3rd tell us if the chord is minor or major. The minor seventh (b7) indicates whether the sound wants to move or not (resolve) to another chord. Usually dominant chords tend to resolve to a chord down a perfect fifth (or a chord up a perfect fourth).

    C Dominant 7th Chord  C E G Bb
    Intervals 1 3 5 b7
    Related Arpeggio 1 3 5 b7

     

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  • Guitar Modes And Scales For Beginners

    Ecclesiastical modes, also named "Greek modes"or "church modes" or "Gregorian modes" formed in the Middle Ages a set of seven scales whose use has weakened because of the appearance of the major / minor tonal system. 

    Several centuries later these modes have reappeared. They are very used in jazz improvisation as scales of chords and modal playing.

    This guitar lesson explains what are the seven modes, how they are built and how to play them on guitar.

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  • Kenny Burrell - Midnight Blue | 10 Dominant Jazz Blues Licks For Beginners

    Kenny BurrellKenneth Earl "Kenny" Burrell (July 31, 1931) is an American jazz guitarist from Detroit. With Wes Montgomery and Charlie Christian he is one of the most influential jazz guitarist, epitome of good taste and unique swing. His guitar sound is clear, refined and raw, easy to recognize. His guitar playing is unique, grounded in bebop and blues, the man is able to play both blues licks and swinging bebop lines.

    He has collaborated with many artists as sideman (Dizzy Gillespie, "Jimmy Hammond" Smith, Billy Holiday, Milt Jackson, Stanley Turrentine, Stan Getz, Chet Baker, The Jones Brothers...) and recorded many solo albums including the famous "Midnight blue" (Blue note, 1963).

    He has played Gibson guitars (ES-175, super 400) for the majority of is career plugged into a Fender deluxe amp.

    Midnight blue

    How smooth can jazz guitar get ? Right here is the answer. Midnight Blue (released in 1963 by blue note records and recorded by Rudy Van Gelder) is one of those records that you just put on, sit back and relaxis. In this album Kenny Burrell is accompanied by the tenor-saxophonist Stanley Turrentine in a pianoless quintet that also includes Ray Barretto on congas (a highly regarded bandleader in his own right who injects a dash of Latin flavor), Major Holley on bass and Bill English on drums. Midnight blue is considered one of the best recordings of Kenny Burrell's career.

    1. Chitlins Con Carne (5:25)Midnight blue - Kenny Burrell
    2. Mule (6:53)
    3. Soul Lament (2:39)
    4. Midnight Blue (3:59)
    5. Wavy Gravy (5:43)
    6. Gee Baby, Ain’t I Good To You (4:21)
    7. Saturday Night Blues (6:13)
    8. Kenny’s Sound (4:39) 
    9. K Twist (3:35) 

    This album is very useful for basic call-and-response type blues phrasing, recommend for anyone trying to learn playing jazz blues on guitar.

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  • NEW eBook PDF | 25 Soul Jazz Guitar Licks With Tabs.

    25 jazz soul licks PDF eBook with tabs

    A new printable PDF eBook dedicated to soul jazz guitar licks is now available for download. 

    Soul jazz (sometimes called "jazz-funk) is a form of jazz commonly associated with hard bop. It has strong influences from blues, rhythm & blues and gospel. You can also go listen to Lou Donaldson, Big John Patton, Jimmy "Hammond" Smith, to soak up this style.
    All these licks are two bars licks in the key of Bb7 and inspired by great guitarists as Grant Green, Melvin sparks, Wes Montgomery or Kenny Burrell. They are essentially built with notes from the minor, major pentatonic and minor blues scale.

    Each lick is analysed and accompanied by a quality audio file. A backing track is also included in the package.

    Why all these licks are in the same key ?

    To simplify learning, it's easier to memorize them, then you can make the connection between each lick to built longer guitar solos.  Once you have learnt these licks, the aim is to play them in different keys, add notes and fret hand techniques (bends, hammer-on, pull-off, slides)  vary the rhythm...

    9,90 $ DOWNLOAD

    Package details :

    - 1 printable PDF eBook with 25 soul jazz guitar licks in Bb7 with tabs, scales charts, guitar fretboard diagrams (5 boxes for each scales) and analysis. 

    - 1 soul jazz backing track (Quality mp3 audio file).

    - 25 soul jazz guitar licks audio files (Quality mp3 audio files).

    MORE INFORMATIONS HERE

     

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  • 20 jazz guitar licks with tabs on youtube

    A new video is online on the youtube channel. It's about 20 jazz guitar licks with tabs. 

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