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NEW PDF eBook available

5 jazz blues guitar arpeggio studies

5 jazz blues arpeggio studies PDF eBook

 

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  • How to play a major 7th arpeggio over a V7 chord | Jazz guitar trick

    Major arpeggio over g7When a jazz beginner starts to improvise over a II-V-I progression, he generally plays arpeggios corresponding to the chords of the sequence. In other words, he learns to play minor arpeggios over the minor chord (II), dominant 7th arpeggio over the 7th chord (V) and major arpeggio over the major 7 chord (I). This way the harmony is highlighted without taking risks. Then comes the modes, the basic rules concerning modes is that to play dorian over the minor chord , mixolydian over the dominant and ionian over the major chord. In short, in the long-run there is nothing exciting. That's why there is a nice trick used by number of jazz players to add smoothness to a line over a dominant 7th chord. This is a little tip that makes all the difference, simply play the notes of a major 7th arpeggio over the V7 rooted on its b7 degree.

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  • NEW PDF eBook available - Jazz blues guitar arpeggios

    5 jazz blues arpeggio studies PDF eBook A new printable PDF eBook is available. It's about 5 jazz blues studies to master guitar arpeggios.

    These five etudes will help you to master the use of arpeggios over a jazz blues progression. As discussed in this eBook,  there are different kinds of jazz blues progressions. The one that is used in this eBook is built with a secondary dominant (VI7), a passing diminished (#IVdim7) and a turnaround (I7, VI7, IIm7, V7).

    In this booklet you will learn how to play dominant 7 arpeggiosminor arpeggios, diminished arpeggios. How to apply the 3-9 concept. How  to use major and diminished triads and how to extend arpeggios with extra notes as 13th and a 9th.

    5 jazz blues guitar arpeggio studies eBook PDF DOWNLOAD

     

     

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  • Barry Galbraith jazz guitar study - Like someone - Guitar comping video with bass lines

    Like someoneA new video has been uploaded on the youtube channel. It is a Barry Galbraith comping study named "Like someone". This is the last study from the Barry Galbraith book "Jazz guitar comping series, vol #3" published by Jamey Aebersold. Most of the accompaniments studies (comps) in this book are designed to accompany a melody or an improvised solo with bass lines like a pianist would do. It is a very great book to practice jazz comping guitar.

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  • Is Amp Simulation the Cure for GAS ? - Guest post

    Amplitube 3 pedalsAs a guitarist, it’s tempting to spend a lot of time and money on gear. All of us suffer from G.A.S. (gear acquisition syndrome) to some degree. The never-ending search for the ‘perfect’ tone will plague us all. At some point, though, this obsession with gear can distract you from what matters. For most guitarists, their tone starts with their hands. Guitar choice, amp choice, pedals and everything else comes second to technique. So, I propose an alternative - rather than focusing on GEAR, focus on SKILL. That doesn’t mean tone isn’t important, though. It shouldn’t be disregarded entirely. There is an efficient, cost-effective way to find the right tone in seconds - without ever visiting your local Guitar Center...

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  • How to play major triads on the guitar - Close and open voicings

    Drop 2 major chord bass on string 5 3A major chord is built with three notes namely root (1), major third (3) and fifth (5). These three tones represent the structure of the major chord. The same holds true for minor, diminished and augmented chords. In this guitar lesson you will learn how to develop a major chord in closed and open triad voicings (also known as spread voicings). 

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  • 8 ways to play the minor pentatonic scale over a dominant chord - Inside and outside playing

    minor pentatonic scales over dominant chordsThe minor pentatonic scale is by far the most used scale in the world all styles taken together (jazz, blues, rock, reggae, pop, country). One of the explanation is given by the structure, indeed there are no semi-tones in it. It is easy to play on the guitar and it can be used in a whole lot of very different contexts. This lesson will show you 8 ways to use the minor pentatonic scale over a dominant 7 chord. The principle is easy to understand, this consists to play the minor pentatonic scale starting on each tone of the mixolydian scale (1, 2, 3, 4, 5, 6, b7). This method helps to highlight certain notes and brings interesting colors to your jazz guitar lines depending on you want to play outside or inside.

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  • Kenny Burrell - In a mellow tone - Jazz guitar transcription

    A new video has been uploaded on the youtube channel. It is a jazz guitar transcription of the jazz standard "In a mellow tone" composed by Duke Ellington and performed by Kenny Burrell in 1990. Here is the Kenny Burrell version on which the transcription is based and the link to the album dedicated to Duke Ellington.

     

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  • List of jazz standards and keys

    Music key and notes background pictureA“standard” or “jazz standard” is referring to a popular music piece and/or jazz music composition that is held in continuing esteem and is frequently used in musical repertoire. Many of these “jazz standards” were not necessarily originally jazz compositions. Music publishers include the term “jazz standards” in a description or a title they nearly always are referring to compositions used as the basis for improvisation or jazz arrangements. You will find in this post a non-exhaustive list of jazz standards and their original keys to practice at home or in jam sessions. 

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  • Triad arpeggios - Guitar lesson for beguinners

    Major triad sequence 1 5 3Arpeggios are surely the most important devices to master when you want to start improvising. Every jazz players use arpeggios in their improvisations. Great guitarists, all kinds of styles use arpeggios : John Scofield, Kurt Rosewinkel, Birelli Lagrene, Django Reinhardt, and many more. Arpeggios are played extensively because they use only the notes found in a single chord, therefore they create a more harmonized sound when played with their corresponding chord. Arpeggios are very helpful to easily outline the chord changes. This lesson is focused on the most basic form of arpeggios made out of three notes called "triad arpeggios"

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  • Superimposed diatonic arpeggios - Jazz guitar lesson

    Superimposed arpeggios lickIn jazz music, there are two different ways of improvisation, the use of scales and the use of arpeggios. Great jazz improvisers as Wes Montgomery, George Benson, John Scofield, Mike Stern, Pat Martino or Barney Kessel master both scales and arpeggios. Arpeggios are very helpful devices to easily outline the chord changes especially in tunes with fast tempos as bebop tunes for examples. The basic use of arpeggios is to play them over their related chord, for example play a Gm7 arpeggio (G-Bb-D-F) over a G minor 7 chord or a C7 arpeggio (C-E-G-Bb) over a C dominant 7 chord. Over a classic II-V-I progression in C major (Dm7-G7-Cmaj7) you will play Dm7 arp, G7 arp and Cmaj7 arp. This way you take no risks and you are sure to underline and hear correctly the harmony. Unfortunately, this can be boring in the long run, that's why, in this article, we will see how to superimpose diatonic arpeggios to open new paths and create original and interesting jazz lines.

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  • How to play jazz on acoustic guitar - Guest post

    Acoustic guitarJazz is a genre of music that originates from African Americans and it emerged at the beginning of the last century. The main characteristics of the jazz are syncopations and improvisations usually over a regular or forceful rhythm.

    Woodwind and brass instruments, as well as piano, are the instruments mostly associated with jazz music, but it is not unusual to hear guitars and violins as well. Some of the styles of the jazz are swing, Dixieland, free jazz, hard bop, soul jazz, jazz-rock, cool jazz, west coast jazz and bebop.

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  • Jazz guitar chord voicings - II-V-I progression - 5 Exercises

    II V I jazz guitar chordsYou will find on this page 5 exercises to learn to play different jazz guitar chord voicings over the most used chord progression in jazz, the famous II-V-I sequence.

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Last edited: 12/10/2017

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