Printable jazz guitar eBooks. PDF & audio files.
Jazz guitar lines and solo transcriptions with tabs and standard notation.
Lessons with guitar fretboard diagrams, scale charts, formulas & licks.
The main jazz guitar chords with diagrams and charts.
Learning to maneuver through scales on your guitar will bring about a ton of benefits to you, as a player. First of all, you'll begin to perceive music a little bit differently – you'll find logic where you ought to think there was none, you'll understand how your favorite composers got their brilliant ideas, and, most importantly, you'll get to put the theory into practice.
What's more, the whole journey of exploring the theoretical sphere of music concerning the scales isn't all that hard. Essentially, you'll found yourself amidst the crossroads, and you'll have to choose a path – you'll either delve deep into books about music theory, or you'll have to figure everything out yourself.
Regardless of the path you wish to take, mastering and learning guitar scales is, quite frankly, easy. We've brought together a short list of five tips that will make the process even simpler, and more entertaining.
Autumn leaves is a 1945 song composed by French musician Joseph Kosma. The original lyrics are in French, written by Kosma but in 1947 Johnny Mercer wrote the English ones. Since that time it has become a very popular song and surely one of the most played jazz standards. This song is in a AABC form (32 bars), very much appreciated by beginners because the harmonic progression is pretty simple to play and easy to understand. It covers a very important chord sequence found in jazz, the ii-V-I both in minor and major.
You want to learn how to play jazz ? You are not sure how to start and what are most important tips? Don't worry, in this article you will read more about what is jazz, how to learn jazz on your guitar and how to become true jazz guitar player.
Altered dominant chords are used to bring tension and an outside flavor to jazz chord progressions. They generally resolved to an inside chord as the I or a substitute as iii or vi. They have one or more notes lowered or raised by a half-step, in other words they contain one or more alterations. These alterations can be b9,#9, b5 (#11) and b13 (#5). Jazz musicians, composers and arrangers used them as substitutions for diatonic chords for adding more dissonance and spice up the harmony. This tutorial provides 25 altered guitar chord shapes to understand how they are constructed and how to play them on guitar.
Everyone knows the importance of drop 2 chords in jazz music. They are very useful for comping, chord soloing, harmonizing and building chord melodies. Drop 2 voicings are very important for jazz guitarists because they are easy to play and do no require the root on the low sixth or fifth strings, indeed they are played on 4 adjacent strings. The first chapter of this lesson provides all the drop 2 voicing shapes, major seventh (M7), minor seventh (m7), dominant seventh (7), half-diminished (m7b5) and diminished seventh (dim7) to play on the guitar neck. The second part of this post will explain how to connect drop 2 voicings following the notes of the major scale.
In jazz, there are many types of turnarounds and progressions that eventually we all must encounter. A key part of how you practice should be in preparing yourself for these progressions and turnarounds. Whether that is by learning a shed-full of Parker’s II V I licks, by practicing exercises over progressions or even by learning a new standard. The end result is that you are better equipped to deal with what is in front of you in the moment on the bandstand.
To this end, I’m going to talk to you today about a progression known as the backdoor progression.
Giant Steps is one of those tunes in jazz that sends a bolt of fear through a lot of young or even experienced jazz musicians. It certainly does that to me anyway! The fast harmonic rhythm and the seemingly distant relationships between the chords means it is a very daunting challenge.
However, there is a very cool and simple way of practicing navigating through these changes and it involves using 3 different pentatonic scales.
Learning and playing scales can be an important part of any guitarist’s practise regime. By playing scales in a variety of ways we can develop our familiarity with the fretboard beyond simply going up and down scales. In this tutorial we will look at combining two different scale patterns by shifting between them on various strings. For this we are going to use two patterns of an Eb Melodic minor scale, patterns 2 and 3. The Melodic minor scale consists of the intervals R 2 b3 4 5 6 7 (R is for the Root note).
Last edited: 08/12/2017