Scales & Arpeggios

This lesson contains five free guitar studies for beginners that outline the use of arpeggios over a Bb jazz blues progression.

There are different types of jazz blues progressions.

The one used in this tutorial is built with a secondary dominant (VI7), a passing diminished (#IVdim7) and a turnaround (I7, VI7, iim7, V7). 

Pentatonic scales are scales with five notes per octave. They are frequently used in music all over the world. The word "pentatonic" comes from the Greek word "pente" meaning five and "tonic" meaning tone.

Talk of "the" pentatonic scale generally make reference to the major pentatonic scale and its relative minor. It's a mistake, indeed there are many types of pentatonic scales (Egyptian, Ritusen, Man gong, Altered, Locrian...).

Pentatonic scales are considered earlier than heptatonic scales (seven-note scales) and can be divided into two categories :

• Containing semitones (hemitonic)
• Without semitones (anhemitonic)

The purpose of this post is to propose some tips and ideas for practicing and develop pentatonic scales.

When we think about major scales, the first that comes to mind is the Ionian mode, best know as THE major scale. However, there are several other types of major scales (Ionian #5, Lydian augmented #2, Ionian b6) which deserve a little more attention. Here they are listed with guitar shapes and formulas. 

This blog article is related to the video tutorial published on JGL YouTube channel. It contains 10 II V7 jazz bebop guitar patterns with analysis and scale shapes.

These lines come from the first chapter of David Baker's book "How To Play Bebop Vol.2 - Learning the bebop language". They correspond to the first ten exercises of the section named "The Use of The II V7 Progression in Bebop".

You 'll find in this lesson a quick analysis of each pattern with scale diagrams (Dorian, Dorian bebop, Mixolydian, dominant bebop, Mixolydian b13, altered, mixo-blues and half-whole diminished).

You will find here a free cheet sheat about major 7 arpeggios. This quick guitar lesson provides a brief description of major 7 arpeggios including neck diagrams and formula charts. This document is available in three versions : PDF (for printing), JPEG and PNG for on-line publication.

What's a Tritone Substitution?

The tritone substitution is one of the most common substitution found in jazz. The basic application of a tritone chord substitution is to take any 7th chord and play another 7th chord that has its root a tritone away from the original. This guitar lesson demonstrates how you can play scales and arpeggios starting from the b5 (a tritone away) of the V7 chord in a II V I chord progression. This way you will highlight altered tones as the b9 and the #11. 

When learning how to play jazz guitar, one of the most important device to master is to play each tone of a chord in order to outline a specific progression.

This is what we call arpeggios.

They are great melodic tools when you want to highlight the chords you are soloing over.

This lesson is focused on diatonic seventh arpeggios and their extensions.

In this lesson you will learn how to build, play and recognize each of the three types of minor blues scales.

Arpeggios are essential musical tools that allow you to build pure and beautiful lines while highlighting the harmony. When playing over chord changes, using arpeggios is the most efficient way to connect these chords together.

This lesson provides four exercises with tabs, standard notation and diagrams that will help improve your guitar skills and your theoretical knowledge.

Here is a list of the main musical scales and modes.

Giant Steps is one of those tunes in jazz that sends a bolt of fear through a lot of young or even experienced jazz musicians.

It certainly does that to me anyway! The fast harmonic rhythm and the seemingly distant relationships between the chords means it is a very daunting challenge.

However, there is a very cool and simple way of practicing navigating through these changes and it involves using 3 different pentatonic scales.

Learning and playing scales can be an important part of any guitarist’s practise regime.

By playing scales in a variety of ways we can develop our familiarity with the fretboard beyond simply going up and down scales.

In this tutorial we will look at combining two different scale patterns by shifting between them on various strings.

For this we are going to use two patterns of an Eb Melodic minor scale, patterns 2 and 3.

The Melodic minor scale consists of the intervals R 2 b3 4 5 6 7 (R is for the Root note).

Welcome to this guitar lesson on the CAGED method!

If you're looking to enhance your understanding of the fretboard, The CAGED method is a powerful system that will help you visualize and navigate the guitar in a more cohesive and comprehensive way.

What's the Blues Arpeggio ?

Traditionally, when a student learns to improvise over a jazz, blues tune, he taught pentatonic scales, major triads or dominant 7th arpeggios, but there is something missing to get this specific and exciting jazz-blues sound, "The Blues Arpeggio". This is a very interesting and important device to use over this musical genre. It is a mix of a major triad and a minor triad, it contains both major and minor thirds, representing one of the most vital elements of the blues. In this jazz guitar lesson we will see how to build the blues arpeggio, how to practice it and how to play it on a blues.

When a jazz beginner starts to improvise over a II-V-I progression, he generally plays arpeggios corresponding to the chords of the sequence.

In other words, he learns to play minor arpeggios over the minor chord (II), dominant 7th arpeggio over the 7th chord (V) and major arpeggio over the major 7 chord (I). This way the harmony is highlighted without taking risks.

In the long-run there is nothing exciting. That's why there is a nice trick used by number of jazz players to add smoothness to a dominant line. This is a little tip that makes all the difference which consists of playing a major 7th arpeggio over the V7 rooted on its b7 degree.

Unlock new colors in your soloing with one of the most versatile tools in jazz guitar: the minor pentatonic scale. While it’s often associated with blues and rock, this simple five-note scale can create rich, modern sounds over dominant 7 chords when used creatively.