A minor 9th arpeggio is no more and no less than a minor 7 arpeggio (1-b3-5-b7) with a major ninth (9) added.
A major ninth (9) is a compound interval made up of an octave plus a second (14 semitones).
It provides a specific color considered as dissonant.
Minor 9 arpeggios have the same notes as minor 9 chords, the formula is root (1), minor third (b3), perfect fifth (5), minor seventh (b7) and major ninth (9).
They are obviously used to play over minor chords (m7, m9, m11 and m13).
You'll find several exercises implying arpeggios here in the Mini Lessons.
C minor 9 arpeggio
C
Eb
G
Bb
D
Formula
1
b3
5
b7
9
Guitar Shapes
One Octave Shapes
The four diagrams below show you how to play minor 9th arpeggios on the guitar within the space of one octave, with the root notes on different strings.
You can see the relation between the second (2) and the ninth (9) that are actually the same notes.
In Position
The two following shapes show how to play a minor 9 arpeggio in position, covering the sixth string and at least two octaves.
Whole Neck
The two next diagrams show how to play G and C minor 9 arpeggios in order to cover the entire neck.
Keep in mind that all these shapes are movable, meaning that they are playable anywhere on the guitar neck.
Arpeggio Superimposition
One very interesting thing to know is that a minor 9 arpeggio contains a major 7 arpeggio. Indeed, the superimposition of two seventh arpeggios (minor and major seventh) gives a minor 9th arpeggio.
Minor 9th arpeggio
1
b3
5
b7
9
Minor 7 arpeggio
1
b3
5
b7
X
Major 7 arpeggio
X
b3
5
b7
9
Let's take an example with the C minor 9 arpeggio. It is built with C (root), Eb (minor third), G (fifth), Bb (minor seventh) and D (ninth).
You find out that when starting on the minor third (Eb) of C min you obtain an Eb major 7 arpeggio made up of the minor third (Eb), the fifth (G), the minor seventh (Bb) and the ninth (D) of Cmin9. Playing an Ebmaj7 arpeggio over a Cmin7 chord gives a Cmin9.
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