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13 Arpeggio Exercises For Guitar - Major 7, Dominant 7, Minor 7, Half-diminished, Diminished 7

This guitar lesson propose 13 exercices implying the five main types of arpeggios (major 7, dominant 7, minor 7, half-diminished and diminished 7) to both preparing your hands, learning your fretboard and hearing the color of each arpeggio.

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The Five Main Types Of Arpeggios

Before taking a look at the 13 arpeggio warm-up exercises below, it is important to know how are constructed these five types of arpeggios. Here is a quick recap for those new to the topic.

Here below you'll find two diagrams for each type of arpeggio. The left one show the arpeggio pattern and its intervals while the right one show the related basic chord (drop 2 voicings).

Notice that all the following shapes are in A, however they are all movable anywhere on the guitar neck. The tonic giving the name of the chord and arpeggio.

Major 7 Arpeggio

A major 7 arpeggio is made of tonic (1), major third (3), perfect fifth (5) and major seventh (7). Giving the notes A, C#, E, G# for an Amaj7.

Major7 guitar arpeggio

Dominant 7 Arpeggio

A dominant 7 arpeggio is simply a major 7 arpeggio where the seventh has been lowered by a half-step. Giving us a major triad with an added b7. The formula is tonic (1), major third (3), perfect fifth (5) and minor seventh (b7). We get the notes A, C#, E, G for an A7.

Dominant7 guitar arpeggio

Minor 7 Arpeggio

A minor 7 arpeggio is made of a tonic (1), minor third (b3), perfect fifth (5) and minor seventh (b7). Compared to the previous dominant 7 chord, the third is lowered by a half-step. The notes for Am7 are A, C, E and G.

Minor7 guitar arpeggio

Half-diminished Arpeggio

A half diminished arpeggio (m7b5) is a built with tonic (1), minor third (b3), diminished fifth (b5) and minor seventh (b7). The notes composing an Am7b5 chord are A, C, Eb and G.

Minor7flat5 guitar arpeggio

Diminished 7 Arpeggio

A diminished 7 arpeggio contains a bb7 in comparison with a half-diminished. Giving the formula : tonic (1), minor third (b3), diminished fifth (b5) and diminished seventh (bb7). The notes composing an Am7b5 chord are A, C, Eb and Gb.

Diminished 7 guitar arpeggio

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13 Warm-up  Arpeggio Exercises

The 13 arpeggio exercises that are following are made using the same chord progression (Amaj7, A7, Am7, Am7b5, Adim7) so that only one note change to switch from one arpeggio to the other :

  • Amaj7 going to A7 : The seventh (G#) becomes a minor seventh (G).
  • A7 to Am7 : The third (C#) becomes a minor third (C).
  • Am7 to Am7b5 : The fifth (E) becomes a flat fifth (Eb).
  • Am7b5 to Adim7 : The minor seventh (G) becomes a diminished seventh (Gb).

Two time signatures are used : 12/8 (ternary) and 4/4 (binary).

Exercise 1 - Strings 6.5.4

In this first exercise the time signature is 12/8 and the basic interval pattern used is : 1 - 3 - 5 (ascending) - 7 - 5 - 3 (descending).Guitar arpeggio exercise 01

Exercise 2 - Strings 6.5.4

Time signature : 4/4 - Basic interval pattern is : 1 - 3 - 5 - 7 (ascending) - 1 - 7 - 5 - 3 (descending). 

Guitar arpeggio exercise 02

Exercise 3 - Strings 5.4

Time signature is 12/8 - The basic interval pattern starts on the third giving : 3 - 5 - 7 (ascending) - 1 - 7 - 5 (descending).

Guitar arpeggio exercise 03

Exercise 4 - Strings 5.4.3

Time signature is 4/4 - Basic interval pattern starting on the third : 3 - 5 - 7 - 1 (ascending) 3 - 1 - 7 - 5 (descending).

Guitar arpeggio exercise 04

Exercise 5 - Strings 5.4.3

Time signature 12/8 - Interval pattern starting on the fifth giving : 5 - 7 - 1 (ascending) - 3 - 1 - 7 (descending).

Guitar arpeggio exercise 05

Exercise 6 - Strings 5.4.3.2

Time signature is 4/4 - The basic interval pattern starts on the fifth thus giving : 5 - 7 - 1 - 3 (ascending) - 5 - 3 - 1 - 7 (descending).

Guitar arpeggio exercise 06

Exercise 7 - Strings 4.3.2

Time signature is 12/8 - Interval pattern starting on the seventh : 7 - 1 - 3 (ascending) - 5 - 3 - 1 (descending).

Guitar arpeggio exercise 07

Exercise 8 - Strings 5.4.3.2.1

Time signature 4/4 - The basic interval pattern starting on the seventh : 7 - 1 - 3 - 5 (ascending) - 1 - 5 - 3 - 1 (descending).

Guitar arpeggio exercise 08

Exercise 9 - Strings 4.3.2.1

Time signature 12/8 - Basic interval pattern starts on the tonic thus giving : 1 - 3 - 5 (ascending) - 7 - 5 - 3 (descending).

Guitar arpeggio exercise 09

Exercise 10 - Strings 4.3.2.1

Time signature is 4/4 - The basic interval pattern starts on the tonic : 1 - 3 - 5 - 7 (ascending) - 1 - 7 - 5 - 3 (descending).

Guitar arpeggio exercise10

Exercise 11 - Strings 6.5.4.3.2

Time signature is 12/8 - Interval pattern starting on the tonic : 1 - 3 - 5 - 7 - 1 - 3 (ascending) - 5 - 3 - 1 - 7 - 5 - 3 (descending).

Guitar arpeggio exercise 11

Exercise 12 - Strings 6.5.4.3.2.1

Time signature is 4/4 - The basic interval pattern starts on the tonic : 1 - 3 - 5 - 7 - 1 - 3 - 5 - 7 (ascending) - 1 - 7 - 5 - 3 - 1 - 7 - 5 - 3 (descending).

Guitar arpeggio exercise 12

Exercise 13 - Strings 6.5.4.3.2.1

Time signature is 12/8 for this last exercise - The basic interval pattern starts on the seventh giving : 7 - 1 - 3 - 5 - 7 - 1 - 3 - 5 - 7 - 1 - 3 - 5. Actually the same pattern (7-1-3-5) spanning three octaves.

Guitar arpeggio exercise 13

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