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Dominant 9th Arpeggios - Guitar Diagrams, Charts and Licks

A dominant 9 arpeggio is a sequence of notes taken from a dominant 9 chord, but played one at a time rather than strummed together.

It combines the essential tones of a dominant 7 chord with the added 9th for extra color.

Construction

Dominant 9 arpeggios contain the five same notes as the chords they come from, namely dominant 9th chords.

They are spelt :

Root (1) – the root note.

Major third (3) – gives the chord its major tonality.

Perfect fifth (5) – reinforces the harmonic foundation.

Minor seventh (♭7) – gives it the dominant (tense) quality.

Ninth (9) – an extension that adds richness.

In sum, a dominant 9 arpeggio is a dominant seventh arpeggio with a ninth added. 

G9 arpeggio G B D F A
Formula 1 3 5 b7 9 (2)

Dominant 9 Arpeggio Shapes

One Octave Shapes

The four diagrams below demonstrate how to play dominant 9th arpeggios on the guitar, all within a single octave, with each diagram featuring the root note on a different string.

They also illustrate how the second (2) and the ninth (9) are essentially the same note, just named differently depending on the context.

Dominant 9 arpeggios for guitar

Two Octave Shapes

The next two shapes illustrate how to play a minor 9 arpeggio in position, spanning the sixth string and extending across at least two octaves.

Dominant 9 arpeggio guitar shapes

Whole Neck

The following two diagrams demonstrate how to play G and C dominant 9 arpeggios across the entire fretboard.

Remember, all of these shapes are movable, so you can play them anywhere along the neck.

Dominant 9 arpeggio guitar diagrams

Arpeggio Superimposition

Arpeggio superimposition is a very interesting harmonic concept that enables you to create more sophisticated sounds.

This consists of superimposing different arpeggios together.

There is a lot to say about that, in this article we will only talk about the two arpeggios that makes a dominant 9 arpeggio.

As shown in the example below, a C9 arpeggio contains two arpeggios :

  • A dominant 7 arpeggio, G7 (G-B-D-F).
  • A B half-diminished arpeggio (Bm7b5) built on the major third of C (B) (B-D-F-A). This one is often called "3-9" superimposition. The idea is to build a seventh (or a triad) on the third of the chord you're playing over. 
Dominant 9th arpeggio superimposition

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Last edited: 2025-04-11

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