Posts by jazz-guitar-licks

Here are two easy jazz guitar licks published on JGL's Facebook, Youtube and Instagram pages, based on a 2 5 1 sequence in F major (Gm7 | C7 | Fmaj7) implying two arpeggios and a minor triad.

This page provides a collection of cheat sheets explaining in a simple and effective way how guitar chords are built and how they are connected one to the other.

The idea is to understand where are located each chord tone of a specific voicing and how to connect these chords them by moving only one note at a time.

Notice that this page is regularly updated with new shapes, don't forget to subscribe the newsletter to stay informed.

This lesson is the third part of the serie "Jazz Guitar Lines Over Common Chord Changes" that provides easy jazz guitar licks for beginners to play over II V, II V I and I IV II V progressions. These lines are majoritarily built with the major blues scale, the Mixolydian mode and a whole-tone scale motif.

In this guitar lesson with shapes, tab, video and analysis you will learn how to use seventh arpeggios over important jazz chord sequences as minor & major II V , major II V I and I vi ii V progressions.

You'll find the link to the PDF at the bottom of the page.

This short jazz guitar study with tab, score and chord charts provides some easy jazz lines to apply over three common chord progressions found in jazz. These licks will help you better understand what scales and modes can be used over basic chord changes. You'll find a link to the free PDF at the end of this lesson.

Altered chords add color, tension, and sophistication to your playing, making them a must-know for jazz, fusion, and even blues and rock guitarists.

An altered chord contains one (or several) altered notes that don't belong to the diatonic scale.

These notes are the b5 (flat fifth), #5 (sharp fifth), b9 (flat ninth), #9 (sharp ninth).

In this guitar lesson we will see that they can be grouped into three disctinct families (major, minor and dominant) and also how to play them on guitar.

This serie provided by our favorite backing track channel on YouTube is a collection of 3/4 drum tracks for practicing your favorite musical exercises (scales, chord comping, warm-up, etc) as you would do with a metronome.

You'll find here an infographic related to the lesson about upper structure triads on guitar. 

This guitar lesson discusses a very useful way to come out new colors to your soloing or comping ideas called "Upper-structure Triads".

This technique consists of superimposing triads to highlight extended notes of minor, major and dominant chords.

This lesson provides a chord melody arrangement for guitar of the famous song "Days of Wine and Roses" written by Henry Mancini (music) and Johnny Mercer (lyrics) for the movie film of the same name. 

Unlocking that smooth tension and release in jazz harmony is where the magic lies—and the dominant seventh flat-fifth (7♭5) chord is one of your secret weapons.

Imagine sliding into a chord that sounds both unexpected and inevitable, bridging the gap between yellow-and-gold major chords and grey-shaded minor ones. That’s what the 7♭5 chord does.

Here is 12-bar jazz-blues study in Bb with guitar tab and standard notation mixing basic jazz chords and minor blues scale fragments. You'll find it for free (or Pay What You Want) on jazz-guitar-licks Gumroad store.

A new guitar poster referencing the most used arpeggios shapes is available on Jazz Guitar Licks Teespring Store. This reference chart includes 50 diagrams to help guitarists figure out arpeggio positions all over the guitar neck. The size of this poster is 24 x 36 inches (60 x 90 cm), the arpeggio types covered are:

• Major 7
• Minor 7
• Dominant 7
• Half-diminished
• Diminished 7
• Minor Major 7
• Augmented Major 7
• Augmented 7

This free guitar chord chart available as a PDF file contains the most important altered and extended dominant guitar chord shapes that any guitar player should know. It is totally free (or Pay What You Want) in return, don't hesitate to support this website.

Lesson By Steve Down

This video is the last installment of the lesson series on the funky Kenny Burrell version of "My Favorite Things" from his 1966 album "Soulero". In this last lesson (please consider watching the 7 previous) we finish off by looking at the final head, the outro solo and I give you my top 5 take aways from the series complete with some extra example licks!

Have fun practicing!

This free PDF chart contains shapes for a better understanding on how to play of music intervals on the guitar. This cheat sheet is available for free (or Pay What You Want) on Jazz Guitar Licks Gumroad Library