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  5. 2-5-1 Jazz Guitar Lick / Dorian Mode, Augmented Triad, Target Notes

2-5-1 Jazz Guitar Lick / Dorian Mode, Augmented Triad, Target Notes

This 2-5-1 jazz guitar lick combines the Dorian mode, augmented triads, and clear target notes to create a smooth, modern jazz sound.

A focused study to help you connect harmony and melody with confidence over the essential 2-5-1 progression.

What's The 2-5-1 Progression

The 2-5-1 progression is a chord sequence built from the second, fifth, and first degrees of a major scale.

For example, in C major: Dm7 – G7 – Cmaj7.

It’s one of the most important progressions in jazz because it creates strong tension (V) that naturally resolves to the I chord.

What's The Dorian Mode

The Dorian mode is a minor scale with a natural 6th.

It’s the second mode of the major scale. For example, D Dorian uses the notes of C major: D–E–F–G–A–B–C.

It has a minor sound, but the natural 6th gives it a brighter, jazzy color. 

What Are Target Notes

Target notes are specific chord tones (like the 3rd, 5th, or 7th) that you aim for when improvising.

They help your lines clearly outline the harmony and create strong, intentional resolution over chord changes. 

What's An Augmented Triad

A B augmented triad (B+) is built from:

B – D# – F##

B = root

D# = major 3rd

F## = augmented 5th (enharmonic to G)

On guitar, you’ll often see it written or played as: B – D# – G (same sound, easier spelling).

The Lick

Bar 1 : D Dorian over Dm7.

Bar 2 : B augmented to emphasize the #5 of G7.

Bar 3 : Chord tones targeting of Cmaj7.

2 5 1 jazz guitar lick augmented triad

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Last edited: 2026-02-19

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