Scales & Arpeggios
Learning scales and arpeggios on guitar is a very important part of jazz's apprenticeship. You will find here a whole load of free guitar resources on this blog section as guitar neck diagrams, licks, tabs, formula charts and theory. These jazz lessons don't follow a sequence, you can jump into them in any order you choose.
One of the fundamental theoretical elements to understand music is the harmonization of the major scale. Harmonizing scale is building chords with notes. This lesson explains how to create triads and seventh chords from each note of the major scale.
Mastering arpeggios is inevitable for anyone who wants to improve its sense of improvisation and bring more musicality to its playing. Practicing and mastering them is a necessity for all jazz guitarists, arpeggios are great tools to improvise over chord changes and jazz standards.
Tips and Tricks To Help You Practice Scales
When you want to master jazz language, one of the first things to do is to learn scales and modes. Any guitar student need to memorize the fingerings, the names and the composition of each scale.
It is important to make the difference between the main types of musical scales (major, minor, augmented, symmetric and diminished), important to know what scale works with a particular chord.
In the long run the practice of scales can be confusing and seems a never-ending. Here are some tricks and tips for practicing scales while developing your musical ear, your guitar technique and your theoretical knowledge.
The first thing to do before starting exploring the twelve different scales shown in this lesson is to understand how to build a basic dominant 7th chord and what its role is.
What's a Dominant 7 Chord?
A Dominant 7th chords is made up of a root / tonic (1), a major third (3), a perfect fifth (5) and minor seventh (b7). It is one of the most versatile chords. It is considered as a major chord because of the major third (3).
Indeed, the 3rd tell us if the chord is minor or major. The minor seventh (b7) indicates whether the sound wants to move or not (resolve) to another chord. Usually dominant chords tend to resolve to a chord down a perfect fifth (or a chord up a perfect fourth).
C dominant 7th chord C E G Bb Intervals 1 3 5 b7 Related Arpeggio 1 3 5 b7
What Are Ecclesiastical Modes?
Ecclesiastical modes, also named "Greek modes"or "church modes" or "Gregorian modes" formed in the Middle Ages a set of scales whose use has weakened because of the appearance of the major / minor tonal system.
Several centuries later these modes have reappeared. They are very used in jazz improvisation as scale of chords and modal playing.
This lesson explains how are built modes and how to play them on guitar.