Chords / Voicings
Welcome to the blog section dedicated to jazz guitar chord voicings. You will find here relevant sources of information (Tabs, shapes, charts, diagrams) for a better understanding of the main types of chords (minor, major, dominant, diminished, half-diminished, augmented, altered, extended) found in jazz standards and common progressions.
These free guitar lessons provide chord shapes, Tabs, theory, YouTube videos, audio files and formula charts. They are intended for the beginners as well as the more advanced players who want to learn how to build chords (triads, tetrads) or how to play chord-melody arrangements using drop 2, drop 3 and drop 2-4 voicings.
This lesson explains how jazz chords are built and how to play them on guitar using common positions. This will help you understand, identify, build and play one of the most important types of chords.
All the shapes proposed in this tutorial are movable and playable anywhere on the fretboard. So, try to play them in all twelve keys.
To simplify learning, the voicings used in this course ensure that the root is always the lowest note, either on the sixth, fifth or fourth string. In other words, there are no chords with third, fifth, seventh or any other note in the bass.
Don't hesitate to create your own chord positions. In the meantime, take a look at the following essential chord shapes proposed below, classified into four distinct categories :
- (major, minor, augmented, diminished, sus4 and sus2).
- SEVENTH CHORDS (aka tetrads)
- (maj7, min7, dom7, m7b5, dim7, minMaj7, maj7#5, 7b5, 7#5).
- SIXTH CHORDS
- (maj6, min6).
- EXTENDED CHORDS
- (min9, maj9, 9, 6/9, 7#9, 7b9, m11, maj11, 11, m13, maj13, 13, 7b13)
The minor II-V-I sequence is equivalent to the major II-V-I sequence, but played in minor harmonic key. It is a must know for any guitarist who wants to learn to solo over tunes in minor keys.
You will find minor II V I progressions in many jazz tunes as Autumn leaves, Blue Bossa, Black Orpheus, Stella by Starlight, The nearness of you, I love you, Speak low, Soul eyes, Valse Hot, Along came Betty, Stablemates, Are you real, I'll remember April, I hear a rhapsody, Tangerine, In your own sweet way, Nuages and many more.
This guitar lesson for beginners explains what is the minor 2 5 1 progression, what scales and what chords can be used for improvising over it.
Whether simple or compound intervals are a very important part of music theory. Knowing them allow understand how scales, arpeggios and chords are built. Intervals are useful tools to visualize the notes and understand their relationships on the guitar fretboard. This lesson with downloadable pdf, guitar shapes and theory will help you better figure them out and play them on guitar.
This lesson dedicated to the harmonic minor scale explains how to build drop 2 and drop 3 seventh chords from it. This action which consists in stacking notes in interval of thirds starting on each tone of a scale is commonly called "harmonization".
Jazz blues progressions are very common in jazz music however, there is a lot of twelve-bar blues variations based on the typical form.You will see in this lesson how to incorporate major and minor II V I sequences and turnarounds in order to make evolve a basic blues progression. Each chord changes chart contains roman numeral analysis to facilitate transposing them in any key.
What is a Dyad?
A dyad is a two-note chord, a pair of notes played at the same time. These two notes are separated by an interval. Considering there are different types of intervals, there are therefore different types of dyads.
What's an Interval in Music?
An interval is the distance between two notes. It can be melodic or harmonic.
Is a Dyad can be considered a Chord?
A chord must contain, at a minimum, 3 notes. As its name implies a dyad is made of only two pitches. So, a dyad is considered as being an interval, not a chord.
What's a Diatonic Scale?
A diatonic scale is built with of half and whole steps. The term diatonic comes from the ancient Greece. In western music a diatonic scale is based on five whole steps and two half-steps that can be ordered in many specific ways. The best known is the diatonic major scale based on the formula W - W - H - W - W - W - H which means Whole-Step | Whole-Step | Half-step | WholeStep | Whole-Step | Whole-Step | Half-Step.
How to Play a Jazz Intros and Endings on Guitar?
You can start from the V of the key, simply play the last 4 or 8 bars of the tune, try to incorporate a turnaroud and its several variations, the list is long....
You''ll find in this lesson 10 jazz guitar progressions with tabs, standard notation and audio files that work both as intros and endings for any jazz standards in C major.
Altough all these exercises are in the key of C major, it is possible and very important to transpose them in any key.
Dominant 7 chords are one of the most important chords to know, they can be found in many styles of music as blues, funk, pop and of course in jazz music. In this lesson we will see how dominant 7 chords are built and how to play them on guitar using 36 different voicing shapes.
In this lesson we will see how to harmonize the melodic minor scale in thirds with seventh chords. In other words we will see how to build seventh chords by stacking thirds from each degree of the melodic minor scale.
What's An Inverted Chord?
An inverted chord is a chord whose notes are stacked in a different order. In other words, the notes of a chord, whether it is a triad (containing just three notes) or a tetrad (built with four notes), can be reshuffled in a different way.
The name of the chord will still remain the same, but the bass will not necessarily the root note. This is the lowest note (the bass note) that determines the name of the inverted chord. So, chord inversion simply refers to which note is in the bass. You will find in this article some example for a better understanding of what are inverted chords.
When learning how to play jazz guitar, one of the most important device to master is to play each tone of a chord in order to outline a specific progression.
This is what we call arpeggios. They are great melodic tools when you want to highlight the chords you are soloing over.
This article is focused on diatonic seventh arpeggios and their extensions. In a first time, before applying these extensions, it is recommended to have a very strong knowledge of the triads, both the chords and the arpeggios.